The Who Behind Blue Eyes?

Answer The Question

Was Halle Berry in Limp Bizkit Behind Blue Eyes

Limp Bizkit: Behind Blue Eyes (Music Video 2003) ⭐ 6.4 | Music The music video features Academy Award-winning actress Halle Berry. It contains scenes from the motion picture Gothika, in which Berry stars. It depicts Berry and Limp Bizkit’s vocalist Fred. The music video features Academy Award-winning actress Halle Berry.

1. It contains scenes from the motion picture Gothika, in which Berry stars.
2. It depicts Berry and Limp Bizkit’s vocalist Fred Durst in a relationship similar to the storyline of the film.
3. The music video features Academy Award-winning actress Halle Berry.
4. It contains scenes from the motion picture Gothika, in which Berry stars.

It depicts Berry and Limp Bizkit’s vocalist Fred Durst in a relationship similar to the storyline of the film. : Limp Bizkit: Behind Blue Eyes (Music Video 2003) ⭐ 6.4 | Music

What happened to Limp Bizkit

Reunion, Gold Cobra and departure from Interscope (2009–2011) – Borland, Otto (background) and Durst performing live In 2009, Limp Bizkit reunited with Borland playing guitar and launched the Unicorns N’ Rainbows Tour, Durst announced that they had begun to record a new album, which Borland titled Gold Cobra, Borland said that the title does not have any meaning, and that it was chosen because it fit the style of music the band was writing for the album.

1. The band recorded a spoken intro written by Durst and performed by Kiss member Gene Simmons for the album, but it was left off the completed album.
2. The band also recorded additional “non-album” tracks, including “Combat Jazz”, which featured rapper Raekwon and “Middle Finger”, featuring Paul Wall,
3. Shotgun ” was released as a single on May 17, 2011.

The song is noted for featuring a guitar solo by Borland, something that the band is not known for. “Shotgun” received favorable reviews, with Artistdirect writing, ” feels like Bizkit approached the signature style on Three Dollar Bill Y’All and Significant Other with another decade-plus of instrumental experience and virtuosity, carving out a banger that could get asses moving in the club or fists flying in the mosh pit,” Gold Cobra was released on June 28 and received mixed to positive reviews.

AllMusic’s Stephen Thomas Erlewine called it “a return to the full-throttled attack of Three Dollar Bill Y’All, IGN writer Chad Grischow wrote, “Though far from their best work, Limp Bizkit’s latest at least proves that their 2005 Greatest Hitz album may have been premature.” Metal Hammer writer Terry Bezer appraised the album, writing “Aside from the odd duff moment, Gold Cobra throws out the hot shit that’ll make you bounce in the mosh pit over and over again.” The band launched the Gold Cobra Tour in support of the album.

A music video for the title track was released. Gold Cobra sold nearly 80,000 copies in the United States alone and peaked at No.16 on the Billboard 200; however, the band left Interscope after the album’s release.

Who is the backup singer in Sad Eyes?

In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present. *** The first time Robert John appeared on the Billboard Hot 100, he was 12 years old.

• It was 1958.
• At this point, John (no relation to Elton or Olivia Newton-) was known as Bobby Pedrick, Jr.
• He got as high as #79 with “White Bucks And Saddle Shoes,” a half-decent sock-hop jam written by Doc Pomus and Mort Shulman, the same team who would later write the Drifters’ ” Save The Last Dance For Me,” Twenty-one years later, Robert John had his first and only #1 hit.

At the time, it was the longest span of time between the moment an artist first debuted on the charts and that artist’s first #1 hit. (A few years later, Tina Turner would break that record.) In the 21 years between “White Bucks And Saddle Shoes” and “Sad Eyes,” that eventual #1 hit, Robert John would live a whole lot of lives.

Robert John came from Brooklyn, and his real name was Robert John Pedrick, Jr. (So Robert John is like Kendrick Lamar, another guy who will eventually appear in this column, in that he uses his real middle name as his fake last name.) After he scored that one flukey minor kiddie hit, John spent a little while as the singer of a doo-wop group called Bobby & The Consoles.

Later on, John worked as a songwriter, co-writing tracks for people like Lou Rawls and Bobby Vinton with his working partner Mike Gately. In 1972, John recorded an adult-contempo cover of the Tokens’ ” The Lion Sleeps Tonight ” that randomly turned out to be a huge hit, peaking at #3.

Robert John’s version is a 5.) But even after the success of that single, Atlantic Records didn’t want to make a Robert John album, so John got dejected and quit the music business. A few years later, the record producer George Tobin decided that he wanted to work with Robert John, whose piercing falsetto was the sort of thing that was showing up on hit records at the time.

When Tobin found John, John was working construction out in New Jersey. Tobin had the idea that John should make a record like Toby Beau’s “My Angel Baby,” a soft-rock/white-soul ballad that had peaked at #13 in 1978. John, living at Tobin’s house, spent months writing and rewriting “Sad Eyes” until Tobin thought it was perfect.

Aesthetically, there’s something fascinating about “Sad Eyes,” especially once you realize that Robert John had his roots in prefabricated Brill Building doo-wop. The song essentially sounds like a doo-wop ballad, filtered through early-’70s soft-rock and into the studio-rock of the late ’70s. It sounds like Journey trying to come up with their own version of “I Only Have Eyes For You” and then muffling it in canned strings and weepy pianos.

Darlene Love, another holdover from that pre-Beatles era, sings backup on it. Like so many of those pre-Beatles songs, “Sad Eyes” is a ballad that lays out a tough romantic situation as economically as possible. Robert John’s narrator is a guy who’s been having an affair, but he’s decided that he’s going back with his ex, or his ex has decided that she’s coming back to him.

• So he’s got to break it to his current affair that their fling is over and that he’ll have to leave.
• Her eyes are sad about it.
• Robert John is dumping someone, then, but he doesn’t appreciate getting a guilt-trip about it: “We had a good thing/ I’ll miss your sweet love/ Why must you look at me that way?” John makes it clear that they’re not going to get back together.

He tries to be nice about it, but everything he says comes off harsh and egotistical instead: “Try to remember the magic that we shared/ In time, your broken heart will mend/ I never used you; you knew I really cared/ I hate to sit and defend.” He delivers it in a sensitive but muscular falsetto, a sound that might remind you of Barry Gibb if the music sounded anything like the Bee Gees.

“Sad Eyes” had a long and slow climb to its single week at #1. When it got there, it was one of the first #1 hits of the immediate post-disco era, the time when the disco backlash had taken over and reshaped the pop landscape. This was a moment of chaotic transition, when nobody knew what constituted a hit song anymore.

“Sad Eyes” is not a memorable song in any way. Instead, it’s a perfectly generic ballad that, but for its falsetto, could’ve hung around easy-listening radio at any point in the previous 15 or 20 years. It’s an OK song. You never hear it anymore. “Sad Eyes” would be the final hit for Robert John.

Over the next couple of years, a couple of his singles made it into the Hot 100, but none of them got anywhere near the top 10. At least according to his Discogs page, John’s last single came out in 1984. As far as I can tell, he’s still alive, but I have no idea what he’s been doing ever since then. Maybe he went back to working construction.

(Based on recent experience, there’s at least some chance he’ll jump into my Twitter mentions at some point in the next 24 hours.) GRADE: 4/10 BONUS BEATS: Here’s “Sad Eyes” soundtracking a montage of Homer feeling guilty in a 2007 episode of The Simpsons :

What does Limp mean in Limp Bizkit?

Limp Bizkit was named after Fred Durst’s dog, Biscuit, who had a limp.

What is the story of the girl with blue eyes?

An Phouc is an 11 years old girl from Vietnam. her pairs of big bright blue eyes attracted many photographers from all around the world to visit her. she is one of the Vietnam tourist attrac. Read all An Phouc is an 11 years old girl from Vietnam. her pairs of big bright blue eyes attracted many photographers from all around the world to visit her.

She is one of the Vietnam tourist attractions icons but despite all that, An Phouc and her family are suffering from poverty and s. Read all An Phouc is an 11 years old girl from Vietnam. her pairs of big bright blue eyes attracted many photographers from all around the world to visit her. she is one of the Vietnam tourist attractions icons but despite all that, An Phouc and her family are suffering from poverty and struggling with racism.

She also has some bad memory of modeling for some doggy Photographe. Read all Be the first to review

What does ginger and blue eyes mean?

Are redheads with blue eyes really going extinct? For every 100 people in the world, only one or two will have red hair. And when you meet a red head with blue eyes, you are looking at the rarest colour combination of all for human beings. The odds of having both red hair and blue eyes sits at around 0.17 per cent. Picture: Shutterstock Around 17 per cent of people have blue eyes, and when combined with, the odds of having both traits are around 0.17 per cent. That’s, out of the 7.6 billion on Earth.

• So with numbers this low, could redheads with blue eyes actually go extinct?
• The reason these looks are so unusual is because they are the result of two different sets of DNA instructions, or mutations, happening in the same person, explains Professor Mark Elgar, an evolutionary biologist from the University of Melbourne.
• “The mutations occurred tens of thousands of years ago, and have now become established as different versions or variants of the genes that help determine our skin and eye colour.

“Red hair and blue eyes are both recessive traits which means a person needs to inherit both of the genes for red hair and blue eyes, from both parents. In contrast, brown hair and brown eyes are dominant traits, which is why they are much more prevalent.” In some regions of the world, red heads are more common, making up 10-30 per cent of the population in for example.

Blue-eyed people are also more common in the Baltic regions of Northern Europe. “There are a number of ways rare traits can be lost from a population,” says Professor Elgar. “A common misconception is that when a trait is rare, it could be lost through a dilution effect – the few individuals that carry the gene don’t reproduce, and so it is lost to future generations.

“But although it is recessive, red hair is unlikely to suffer from this effect. Even when we can’t always see red hair, many people still carry the genes. Red hair can range from strawberry blonde to the deepest auburn. Picture: Shutterstock “Another case is where a gene reduces an individual’s chance of reproducing, perhaps by increasing the risk of early mortality, and again, these genes would become rarer over successive generations,” he explains.

Did Fred Durst kiss Halle Berry?

Fred Durst, Halle Berry Suck Face In ‘Behind Blue Eyes’ Clip Fred Durst has found another way to get back at Britney. He’s stealing her thunder with a much steamier kiss of his own. In the video for “Behind Blue Eyes,” the second single from Limp Bizkit’s Results May Vary, Durst passionately makes out with Oscar-winning actress Halle Berry, star of the upcoming flick “Gothika,” which will feature the song (see “Fred Durst Talks More Trash About Britney, Borland; Nabs Halle Berry For Clip”).

Click for photos from the video). “It was all that and then some,” Durst said afterward of the kiss. “There was this moment where I’m getting ready to kiss her and I thought it might feel weird, but it really felt right, and I think it read that way on film. It’s very convincing, very real and I think we both had a good time doing it.” Durst, who directed the video for the Who cover in Los Angeles over the weekend, described the finale in his treatment as “the greatest kiss you’ll ever see.” “She said, ‘I’m fine, let’s go,’ ” “Gothika” producer Joel Silver said of Berry’s initial reaction to the treatment.

“She’s an actress, she has a little statue at home, she knows what she’s doing. She and Fred talked about how they wanted to do it, how they wanted it to look, and he directed it.” In the video, Berry plays an asylum psychiatrist so attached to one of her patients (Durst), she is able to see through his eyes.

The story was inspired by the song’s most memorable lyrics, “No one knows what it’s like/ To be a bad man/ To be a sad man/ Behind blue eyes.” “It feels like a little film,” Durst said of the video, which allowed the aspiring film director to work with some big names in the business, including Silver and director of photography Don Burgess (“Cast Away,” “Forrest Gump”).

“Me as a filmmaker, definitely my motivations were to work with Joel to let him see I am serious about directing and that I can work well with people and actors and crews and things,” Durst explained. “I can deliver something that I think is going to be timeless and really good and not only be something that is moving because of what it is,

it’s going to be something that can do what he wants it to do and market the movie and become a symbol for the power of that film that’s coming out.” To his credit, Durst did impress Silver, whose credits include “The Matrix” and “Lethal Weapon” movies. “I haven’t seen it cut together, but what Fred has shot is really inspired stuff, really beautifully done, great performances,” the producer said, also noting, “The song works great at the end of the movie; it works great as a motif for the movie.” Results May Vary is due Tuesday, while “Gothika,” which also stars Penélope Cruz and Robert Downey Jr., will hit theaters October 24.

The video will premiere on MTV’s “Making the Video” next month. : Fred Durst, Halle Berry Suck Face In ‘Behind Blue Eyes’ Clip

Did Frank Sinatra have a song about blue eyes

From Wikipedia, the free encyclopedia

Ol’ Blue Eyes Is Back
Studio album by Frank Sinatra
Released	October 1973
Recorded	June 4, 1973 – August 20, 1973 Hollywood
Genre	Traditional pop
Length	35 : 54
Label	Reprise FS 2155
Producer	Don Costa
Frank Sinatra chronology
Frank Sinatra’s Greatest Hits, Vol.2 (1972) Ol’ Blue Eyes Is Back (1973) Some Nice Things I’ve Missed (1974)

/td>

table> Professional ratings

Review scores Source Rating Allmusic

Ol’ Blue Eyes Is Back is a 1973 studio album by American singer Frank Sinatra, Sinatra returned from his brief retirement with Ol’ Blue Eyes Is Back, Released amidst a whirlwind of publicity, the album was a commercial success, earning gold status and peaking just outside the top-ten on the UK and Billboard album charts.

What movie is Judy blue eyes in?

Live performances – The final section of the song is included on the CSNY live album 4 Way Street, It fades in on the opening of side one of the album. CSN also performed “Suite: Judy Blue Eyes” as their opening song at the Woodstock and Live Aid festivals, and their performance at the former is featured in the film Woodstock (1970).

Why is Limp Bizkit blamed for Woodstock

Woodstock ’99 lineup: Who played the festival that features in the Netflix docuseries? – The mosh pit gets ugly at Woodstock ’99. Picture: John Atashian / Alamy Stock Photo Jonathan Davis, whose band Korn performed on Friday had some harsh words : “We rocked that place that first night, and everybody had fun. The second night, Limp Bizkit f**ked it up for everybody. Fred Durst surveys the massive Woodstock ’99 crowd.24th July 1999. Picture: Frank Micelotta/ImageDirect/Getty In a 2012 interview about Woodstock ’99, Durst claimed: “When we were onstage, it was the greatest concert of all time. I had no idea that the finger would be pointed at me as a guy starting a riot.

• But I guess to this day, it’s going to be something that Limp Bizkit f**ked up.” He also told the Washington Post : “I didn’t see anybody getting hurt.
• You don’t see that.
• When you’re looking out on a sea of people and the stage is twenty feet in the air and you’re performing, and you’re feeling your music, how do they expect us to see something bad going on?” The festival ended on the Sunday night with a number of fires that were started after a group of peace campaigners gave out candles that were intended to be held aloft during headliner Red Hot Chili Peppers ‘ song Under The Bridge,

But, as Durst explained: “They needed someone to point the finger at. They needed a scapegoat. They’re not going to put it on the dumb-ass who handed out candles to everybody and said, ‘Lets’ capture a moment. I bet everybody’s gonna light them and hold them up’. Woodstock ’99 burns on Sunday night. Picture: Andrew Lichtenstein/Sygma via Getty Images Taking to the East Stage around 8pm on the Saturday of the festival after the comparatively sedate run of Counting Crows, the Dave Matthews Band and Alanis Morissette, the huge crowd went wild.

• Let’s see if we can’t get this motherf**kin’ place stirred up a bit,” exclaimed Durst.
• In the 2012 interview, Durst was taken aback by the response the band received.
• I remember getting there and just going Oh my God just look at this place, this is Woodstock.
• What an honour.
• We walked onstage and it was that wave of people bouncing as far as you could see, hundreds of thousands of people.

It was the most amazing, adrenalin-pumping moment that I’ve ever experienced. I was so amped and ready to rock and we just did what we do.” Members of the crowd go plywood surfing during Limp Bizkit’s set at Woodstock ’00. Picture: Frank Micelotta/ImageDirect/Getty Images Halfway through the set, Durst announced: “They wanna ask us to ask you to mellow out a little bit. They say too many people are getting hurt.

1. Don’t let nobody get hurt.
2. But I don’t think you should mellow out.
3. Mellowing out – that’s what Alanis Morissette just had you motherf**kers do.
4. Take your Birkenstocks and stick them up your f**kin’ ass!” Limp Bizkit followed this with a cover of Ministry’s decidedly un-mellow Thieves,
5. After the band’s seventh song, Re-Arranged, Durst was riding the wave of energy from the audience.

He announced their hit Break Stuf f by saying: “Hey man, let me ask you a personal question. How many people ever woke up one morning and just decided it wasn’t one of those days, and you’re gonna break some shit?” He went on: “This one of them days y’all. Limp Bizkit – Live at Woodstock 1999 – Full Show – Official Pro Shot *AAC #Remastered During the breakdown in the song Nookie, Durst told the crowd: “We already let all the negative energy out. It’s time to reach down and bring that positive energy to this motherf**ker.

It’s time to let go because there are no rules out there. It’s time to let it all out. Let’s put out some positive vibes in this motherf**ker and have a big ass party.” However, as Durst recalled, he didn’t think the crowd got the message. “I meant, OK let’s get rid of all that negativity so we can bring positive in.

That means jumping, jumping and singing. That doesn’t mean start raping and burning the place down. That’s definitely not what I meant.” Having spotted more pieces of plywood sailing across the heads of the crowd, Durst decided he too wanted to go surfing. Fred Durst goes surfing at the climax of Limp Bizkit’s Woodstock ’99 set. Picture: Frank Micelotta/ImageDirect/Getty The set now over, Durst recalled the aftermath. “I remember getting off the stage and having some policeman with my manager come around me. The cleanup begins on morning after the rioting at Woodstock ’99. Picture: David Handschuh/NY Daily News Archive via Getty Images

Are Korn and Limp Bizkit still friends?

KORN Frontman On LIMP BIZKIT Reunion: I Hope FRED DURST Isn’t An Ass Like He Usually Is March 5, 2009 The Pulse of Radio reports: KORN and LIMP BIZKIT toured together several times during the late ’90s, most notably on the first edition of KORN ‘s Family Values tour, and the two bands were right at the forefront of the “nu-metal” movement at the time.

But now that LIMP BIZKIT is reuniting after being on hiatus for several years, KORN frontman Jonathan Davis told The Pulse of Radio that his relationship with singer Fred Durst has been strained for a while. “I’m happy that they’re gonna play, but I just hope Fred just isn’t an ass like he usually is,” he said.

“We’ll see what happens. Hopefully Fred ‘s got it together, ’cause there was one time when Fred was a really cool guy. The fame hit and went to his head. So I miss the old Fred, He was my buddy. So maybe he’s humbled now and if he’s like that then I’d definitely hang with him and be friends with him again.”

LIMP BIZKIT announced last month that its original lineup was getting back together for a summer tour and new album, its first since 2003. KORN and LIMP BIZKIT will play on several European festivals together this summer, which will give Fred and Jonathan a chance to renew their friendship. LIMP BIZKIT guitarist Wes Borland has played guitar on some tracks for Davis ‘ upcoming solo album, which he hopes to finish recording later this year.

: KORN Frontman On LIMP BIZKIT Reunion: I Hope FRED DURST Isn’t An Ass Like He Usually Is

What do you call Limp Bizkit fans?

For most of us born in the late ’80s or early ’90s, the name Limp Bizkit brings to mind two things: the group’s almost laughably awful and contrived bro-metal, and the groups fans, which could be politely described as “roided-out, tribal-tattooed, spray-tanned, Jell-O shot filled bohunks.” In fact, it was none other than Wes Borland, Limp Bizkit’s lead guitarist/mascot, who so kindly described said fans of his in an Instagram caption.

Then, perhaps in the briefest moment of self-reflection (you know, reflection that these people made you rich as hell), apparently later deleted it. According to MetalInjection.net, Borland wrote: “Getting all packed up this week for Broatchella 2015. It’s the same as Brochella but it’s off land. Can’t wait to see me some roided out tribal tattooed spray tanned Jell-O shot filled bohunks do their best drunk MMA impressions in the top deck mosh pit.

Whenever we aren’t on stage, I’ll be curled up fetal position in my cabin, palms up, while I desperately cling to the last week of my thirties as it slips through my hooked fingers. So, I’d like to give a shout out now to all the other over-the-hill late nineties/early 2000s bands going on the cruise: Let’s give these people the raging alcohol fueled nostalgia fest they’re paying for guys! I know we can do it if we tune down low enough!” In all fairness, Borland may have some reason for being so callous and off-putting.

• Though a prolific visual artist and a creative powerhouse for guitar experimentation, he ended up in Limp Bizkit, and one semi-interesting link sure doesn’t hold together a whole lotta rusty cracked ones.
• He did try to leave, in 2001, after Chocolate Starfish and the Hotdog Flavored Water, but returned for the 2009 reunion, presumably for the payout in a band he’s always seemed to see as beneath him.

And hey, mid-crises suck. But these days it seems everyone in Limp Bizkit has a grumpy attitude toward their fans and even themselves. Upon their begrudging 2009 reunion, Fred Durst and Borland cheerily announced on their website: “We decided we were more disgusted and bored with the state of heavy popular music than we were with each other.” (To which: (1) That’s a very, very harsh thing to say about the state of heavy pop music, and frankly untrue.

(2) Their triumphant return to save heavy popular music was only about as successful as the last few Crusades: they haven’t broken the Billboard Top 10 since ’03, and their next, tentatively to be called, in LB title fashion, Stampede of the Disco Elephants, sure doesn’t seem poised to. So there you have it.

Most of Limp Bizkit hates being in Limp Bizkit, and much of the reason for that is their roided up tribal tattooed drunken asshole douchebag fans. As of press time, Kid Rock hadn’t tweeted that his fans are the rudest, most unkempt, drunkest pieces of inbred trailer trash white shit that he’d ever had the displeasure of seeing packed in a beer-cup and cigarette-butt littered performing arts center lawn.

• But the Kid is so above throwing petty, completely senseless insults across on the Internet.
• Limp Bizkit – Break Stuff (Official Music Video) – YouTube LimpBizkitVEVO Limp Bizkit – Break Stuff (Official Music Video) LimpBizkitVEVO Search Watch later Share Copy link Info Shopping Tap to unmute If playback doesn’t begin shortly, try restarting your device.

• More videos

Who was the blind blue singer?

Blind Willie Johnson, (born January 22, 1897, Independence, near Brenham, Texas, U.S.—died September 18, 1945, Beaumont, Texas), American gospel blues singer and guitar player who performed on Southern streets and was noted for the energy and power of his singing and for his ingenious slide guitar accompaniments. Britannica Quiz Pop Culture Quiz Johnson recorded 30 songs in Dallas and Atlanta in 1927–30. His strong voice was a rough low baritone. Joined with his urgently rhythmic guitar, his harsh singing achieved great force in “If I Had My Way I’d Tear the Building Down,” a narrative of the biblical Samson and Delilah story.

• While most of his recordings conveyed similar potency, he created a unique joining of vocal moaning with slide guitar lines in the slow, haunting “Dark Was the Night—Cold Was the Ground,” a wordless song about Christ ‘s Crucifixion,
• His version of that tune was included on the Golden Record, a phonograph record carried by NASA ‘s Voyager space probes to introduce human civilization to any form of extraterrestrial intelligence that might encounter the spacecraft.

Johnson continued to sing and beg until, after his house burned down, he slept in its remains, contracted malaria, and died. The Editors of Encyclopaedia Britannica This article was most recently revised and updated by Pat Bauer,

What is the meaning of Sad Eyes?

The meaning of the song ‘Sad Eyes ‘, based on the lyrics – The singer is saying goodbye to his partner because he can’t stay with her anymore. He knows she will be sad, but they both knew this day would come. He tells her to remember the good times and that her broken heart will heal over time. This explanation is based on the lyrics of ‘Sad Eyes’. The meaning is of course subject to interpretation.

What do Sad Eyes look like?

With sadness, the eyes look heavy, droopy. With anger, the eyebrows straighten and the eyes tend to glare. With confusion, the skin between the two eyebrows can wrinkle briefly. There’s a connection between what your emotions and body language.

What did Limp Bizkit say to Slipknot?

Fred Durst – Limp Bizkit – Bands weren’t always happy-go-lucky in the world of nu metal. In between the tour cycles for Iowa, Fred Durst made comments about Slipknot ‘s music, saying that it was music meant for fat, ugly kids. While Durst was known to run his mouth, Slipknot made a video for MTV calling him out, saying that they would kill Durst the next time they saw him.

How does Fred Durst make money

Fred Durst – Birthname William Frederick Durst Birthdate August 20, 1970 Birthplace Gastonia, North Carolina, United States Height 5′ 8″ (1.72 m) Profession Celebrity Net worth $20,000,000 Source of Wealth Music Nationality American Country United States Marital Status Married (Kseniya Beryazina) Fred Durst has an estimated net worth of $20 million. He was born in Gastonia, North Carolina but grew up in Jacksonville, Florida. Eventually, he developed some interest in break dancing, punk rock, hip hop, and heavy metal. He later attended United States Navy where he dropped out. He returned to Jacksonville in Florida where he collected some money after working as a tattoo artist.

Does Korn like Limp Bizkit?

Korn And Limp Bizkit Experienced Immense Peaks In Rock Music – instar In the late 1990s and early 2000s, the music scene underwent a seismic shift, giving birth to a genre that would become the angst-ridden anthem of a generation – nu-metal. Among the torchbearers of this movement were two iconic bands: Korn and Limp Bizkit.

Orn, hailing from Bakersfield, California, burst onto the scene in the early ’90s, serving up a blend of heavy guitar riffs, raw emotion, and frontman Jonathan Davis’s cathartic vocals. Their self-titled debut album, Korn, was a game-changer, setting the stage for a string of chart-topping successes.

Their 1998 album, Follow the Leader, was a masterstroke. It featured the breakthrough single “Freak on a Leash,” which catapulted Korn to international stardom. The album debuted at No.1 on the Billboard 200 chart, cementing their status as nu-metal pioneers.

Limp Bizkit, led by the charismatic Fred Durst, emerged from Jacksonville, Florida, and quickly became the poster children for nu-metal’s fusion of rap and rock. Their 1999 album, Significant Other, was a commercial juggernaut, thanks in part to hit singles like “Nookie” and “Break Stuff.” However, it was their 2000 album, Chocolate Starfish and the Hot Dog Flavored Water, that propelled them to superstardom.

This album debuted at No.1 on the Billboard 200 and featured tracks like “Rollin'” and “My Generation,” which became anthems for a generation grappling with adolescent angst. These bands were peers, but as we’ve seen with other popular groups, they couldn’t play nice and just enjoy their respective success.