Asked By: Ashton Parker Date: created: Apr 05 2024

Is Rhys Joe’s alter ego

Answered By: Alex Gonzales Date: created: Apr 07 2024

Badgley said the twist was a “refreshing” approach for Joe. Image via Netflix Part 2 of You Season 4 has officially hit Netflix, bringing with it a number of twists and turns to keep viewers on their toes. The final handful of episodes picks up after Joe ( Penn Badgley ) learned that Rhys ( Ed Speleers ) is the “Eat the Rich” killer.

So, Joe sets out to prove it and put a stop to Rhys once and for all. Unfortunately for Joe, bringing Rhys down proved to be quite the challenge, thanks to one of the season’s biggest reveals. As Episode 7, “Good Man, Cruel World,” came to a close, viewers and Joe discovered that Rhys has been Joe’s alter ego the entire time.

While Rhys was very much a real person, he and Joe never met until the moments leading up to his death. Like the women in seasons past, Joe had formed an unhealthy obsession with Rhys that escalated to a boiling point. And though Joe’s sanity was virtually non-existent by this point, Badgley liked the Rhys and Joe dynamic.

  • When speaking with The Hollywood Reporter, he shared that the approach was “refreshing,” noting how it dove into Joe’s mindset: “or Joe to be forming something of a love relationship — an attachment relationship, a real friendship — with a man is so refreshing.
  • We got it with Forty in season two, and he was iconic for that reason — and also because James Scully is a great actor, and it was a great character.

I so prefer it this way, because the one thing he couldn’t do with another friend is really go into his psychosis the way we were able by doing it this way. It was some of the most fun that I think I’ve had playing Joe, even just in that he gets to speak more. Image via Netflix As viewers see throughout Part 2, Rhys is the driving force behind Joe’s actions — whether Joe himself can acknowledge that or not. When Speleers spoke with Collider’s Maggie Lovitt about Rhys, he also noted the importance of digging into a character’s mindset, and how Rhys brings out the darker parts of Joe: “Whether it ends up being like that, I don’t know, but you set out to try and make this as well-rounded as possible.

But in order to do that, you have to understand their mindset, and you have to get on board with the idea that they’re making decisions because they think this is the best thing.I love the fact that he does some very broad, bold, bold suggestions. He does that in order to bring out a side to Joe that Joe’s probably trying to push away.

And that’s what I love. He’s the devil on the shoulder, isn’t he?” The entirety of You Season 4 is streaming now on Netflix. Watch the trailer for Part 2 below:

Is love Alive in You Season 4?

Is Love Quinn alive in You season 4? – Now that Part 2 of You season 4 has dropped on Netflix, we have an answer for Love’s unexpected appearance in the preview. Unfortunately, no, she is not alive. But let’s face it — given her particularly gruesome ending in the, the odds of her coming back to life were pretty slim.

  1. Showrunner Sera Gamble even confirmed her death back in October 2021.
  2. She is lying there,
  3. I’m not trying to be ‘was there a parachute under that seat in the airplane?’ She is,” she told,
  4. Instead, Love returns in Joe’s hallucination in episode 9.
  5. We’ve learned that — major spoiler alert! — Joe has been this whole time, and Rhys as the serial murderer was a result of his personality disassociation.

Rhys is a projection of Joe’s dark side, the parts of himself that he’s detached from so he could try to right his former wrongs and live a “quiet, academic life” in London. Rhys and Joe have never met — in all of the scenes where they are having a conversation, Joe is just talking to himself. Joe never let return to Paris. He drugged her coffee at the train station, kidnapped her, and — yes — trapped her in a glass cage. She’s starving to death in a basement in London, and Joe has no idea where (because he was disassociating when he did all of the above).

  • When Joe comes to the realization that Rhys is a hallucination, he must face the music and acknowledge that he’s a narcissistic stalker-kidnapper-murderer.
  • He vows to free Marienne — but in the morning.
  • He takes strong sleeping pills, and then falls into an intense dream state.
  • The nightmare begins when Joe seemingly returns to the cage to release Marienne, but the keycode is not working and she’s suddenly going into anaphylactic shock from the coffee he gave her — and Joe doesn’t know where the key is.

This is where Love comes in. In a string of hallucinations, Joe’s ex-wife appears, reading Rhys’s memoir in Joe’s bookstore-edition glass cage. She calls out his pattern of violence with women and reminds him that *everyone* he claims to love and protect ends up dead.

Who does Joe obsessed with in Season 4?

6 The Truth About Joe and Rhys – Netflix Joe does not realize what is genuinely happening until he kills Rhys, who does not recognize him, and another Rhys appears. As it turns out, Joe’s mind has split, and he has forgotten most of what led up to season four’s storyline. A series of flashbacks revealed that Joe had become obsessed with Rhys shortly after reaching London and reading his novel.

Asked By: Robert Miller Date: created: Aug 17 2023

Who is texting Joe in Season 4

Answered By: Ryan Barnes Date: created: Aug 19 2023

‘You’ Boss on the Killer Reveal of Season 4 and What Comes Next for Joe Goldberg

You showrunner flipped the script for season four, Part 1, of the popular drama. The fourth installment of the series — which is broken into two parts, with the first five episodes now streaming — sees go from the hunter to the hunted, as someone in his new circle of privileged London friends sets him up to go down for the murder of Malcolm Harding (Stephen Hagan).

Over the course of Part 1, Joe and his new pals are the key characters in their own little whodunnit, trying to discover who is plucking them off one by one. When three of London’s elite are stabbed to death, the public labels the murderer the “Eat the Rich killer” — and all signs point to Joe, who actually isn’t the one holding the knife this time around.

Halfway through the midseason finale, the real killer is revealed to be one of Joe’s only friends in London: Rhys Montrose (Ed Speleers). And though the relationship happens in the backdrop of a potentially budding romance with Kate (Charlotte Ritchie), exploring a different kind of love — a platonic one — for Joe this season was important to Gamble and her writers room this season.

“We tried to construct somebody who would be a real disappointment to Joe to lose him as a friend as it were,” Gamble tells The Hollywood Reporter. “One of the features of whodunnit as a structure for a story is that you’re always thinking of the parallels between the detective and the killer — the ways that they’re the same and the ways that they’re different, because it kind of comes down to the detectives’ preternatural ability to suss out the truth about someone who’s lying.” Below, Gamble opens up about how she decided to make Rhys ‘s big bad, the importance of introducing a male relationship in Joe’s life — and what comes next for the two of them when You returns March 9 with Part 2. as Joe Goldberg, looking out his London window at a new neighbor, Kate (Charlotte Ritchie), in season four. Courtesy of Netflix About 20 minutes into the season and thinking Joe could change, Malcolm (Stephen Hagan ) shows up dead in his kitchen — which we eventually learn was not at the hands of Joe.

Who were you hoping people would theorize killed Malcolm? Whodunnits are kind of up to each audience member. There definitely were moments where the conversation in the writers room devolved into everybody just clutching their head from trying to figure out all the different math of who people could be suspecting when.

It was the first time I had broken a whodunnit story over many, many episodes like that, so it was a learning curve for me. I realized we just have to assume that people will have every possible theory and make sure that’s not the only thing the story has going for it.

  1. So, the consensus among executives and staff who were watching the show was that people were going to strongly suspect Rhys at the end of episode one and that then maybe they would get off and then on to somebody else — at least briefly.
  2. We were like “OK, all right, maybe that’s a good misdirect to be thinking about him right away.” As the season goes on, Joe gets back into his routine of killing people.

But he did let Marienne (Tati Gabrielle ) go. Why don’t you think he can ever fully change? Because if he changes he doesn’t get the things he wants more than changing. We have to give him points for commitment, I suppose. There’s nothing he values over this feeling that he calls love, and it is incredibly difficult for him.

  • He tears himself apart, trying to both be his version of a good man and then also get what he wants in terms of love and the kind of relationship he wants in his life.
  • And then also, what even is a good man? He’s picked a path that’s very fraught, in general.
  • A lot happens leading into the ending of Part 1.

When Joe discovers Kate (Charlotte Ritchie) kneeling over Gemma’s (Eve Austin) dead body with a knife in her hand, he thinks Kate could be the new Love (Victoria Pedretti). Does that make his feelings for her even stronger? He didn’t love the murder thing with Love.

It terrifies him to think that she’s a murderer, and he’s made essentially the same mistake again. This goes to what we’ve been talking about. Joe’s idea of himself is not really that he’s a murderer, more that he will do what it takes to protect the people he loves and that he’ll do what he has to do to be a good man.

And he also has a lot of ideas about what the woman in the equation should be. And, you know, going off script to hit people with a rolling pin is not on his vision board. It was a huge problem and led to therapy and eventually murder in the relationship with Love. Charlotte Ritchie as Kate with Penn Badgley as Joe in You, Courtesy of Netflix At the end of the midseason finale, we also discover that Rhys (Speleers) is the one who has been texting, stalking and blackmailing Joe, and killing the others. Talk to me about that decision.

  1. How did you come up with that storyline and how you wanted it to play out? We asked ourselves who Joe would want to be friends with.
  2. We’ve spent a lot of time painting these portraits of just assholes, privileged assholes.
  3. Forty was sweet at the end of the day, but he wasn’t really best-friend material for Joe.
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So, without tipping our hat too much, we tried to construct somebody who would be a real disappointment to Joe to lose him as a friend. One of the features of whodunnit as a structure for a story is that you’re always thinking of the parallels between the detective and the killer — the ways they’re the same and the ways that they’re different, because it kind of comes down to the detectives’ preternatural ability to suss out the truth about someone who’s lying.

Part of that was about picking apart the ways in which they’re very much the same. And then the ways in which Rhys is different. And piggybacking on that, what do you think it was like for Joe to find someone so similar? He was surprised, I think. The last thing he expected in this horrible club that he finds himself in is just a like a squadron of Malcolms.

One of the things that I happen to agree with Joe about is — he has insecurity around it — but he has this feeling that fancy education does not necessarily equal brilliant and talented, and all of those things and that there’s a nobility in the self-taught outsider who didn’t have a lot of privilege coming up.

I think that’s a huge part of the appeal of Rhys. He proves the point. Here’s a guy who came from nothing and only stepped into privilege by a later accident of birth. You touched on this a little bit, and mentioned it in an earlier conversation with THR, but Joe doesn’t seem to have a lot of good relationships with men.

Why did you want to introduce one to him now since Forty? For that exact reason, because he doesn’t have it very much. And there’s always these sort of technical conversations we have. When we were first writing Love, we would frequently reference Beck because we didn’t want to repeat ourselves. Joe (Badgley) with Rhys (Speleers). Courtesy of Netflix What comes next for Joe and Rhys in Part 2? The season divided very cleanly for us. The first half is the whodunnit. We leave you with “Here’s the killer.” And so, Part 2 is about the relationship between Joe and Rhys.

He solved the mysteries, and now, how does he actually solve the problem? Is the question. It’s really fun, and I can’t say enough about Ed Speleers’ performance. He obviously had the story for the whole season in his pocket when he started, but I think for people who like to go back and rewatch, there will be so much pleasure in watching his performance.

This is probably the biggest ensemble cast you’ve had in You, How did you balance telling their stories with telling Joe’s? It is one of the built-in challenges of whodunnits. You need a lot of suspects. Way back in the day when I was on staff of the show Supernatural, sometimes I would turn in a script or a document of some kind to Eric Kripke, and he would read it, and he’d be like, “This is beautiful, nuanced work, but I need to remind you that you’re not writing a novel.

You’re writing a short story.” He would say, “Pick the three cleanest attributes, because you only have a few scenes to completely convince me of who this person is.” So, I did hear his voice in my head a lot about really figuring out what makes each character tick and making that information available to you.

You feel like you’ve moved into a whodunnit when that happens. As soon as you start writing characters that way, you sort of are like, “Oh, this is what Dame Agatha probably felt like,” drawing all these people. But because there were so many characters, there was story that we didn’t have quite a chance to tell.

Asked By: Louis Anderson Date: created: Jan 21 2023

Is Love Alive in You Season 5

Answered By: Jake Wilson Date: created: Jan 24 2023

Is Love alive in season 5 of You? – You. (L to R) Victoria Pedretti as Love Quinn in episode 301 of You. Image via John P. Fleenor/Netflix Gamble confirmed in a 2021 interview with Newsweek that Love really did die at the end of You season 3. “I’m not trying to be, ‘Was there a parachute under that seat in the airplane?’ She is,” Gamble says.

“We’ve done that before with Candace but you know, there were questions you could ask about that. I feel like you literally watch every second of her dying, right on the screen.” Are you excited for You season 5? Do you hope Jenna Ortega returns? Let us know in the comments, and follow us on Facebook for more TV news! Chloe Williams​ Chloe Williams serves as B+C’s Assistant Editor, entertainment lead, and resident Taylor Swift expert.

Whether she’s writing a movie review or interviewing the stars of the latest hit show, Chloe loves exploring why stories inspire us. You can see her work published in BuzzFeed, Coastal Review, and North Beach Sun, When she’s not writing, Chloe’s probably watching a Marvel movie with a cherry coke or texting her sister about the latest celebrity news.

What disorder does Joe Goldberg have?

In later seasons, currently being season 4, Joe is a murderer on the run and it was revealed that he has erotomania although it was obvious in the earlier seasons that the character is troubled, more so for his troubled childhood and his need for affection.

Why did Joe leave Season 5?

Development – Executive producers Greg Berlanti and Andrew Kreisberg, and DC Comics CCO Geoff Johns, created the character of Joe West for the CW series The Flash, In January 2014, Jesse L. Martin was cast in the role, described as “an honest, blue-collar cop who is a surrogate father to Barry”, and the biological father of Iris West.

  1. Although Barry’s foster father in the comics is Darryl Frye, and Iris’ father during the Bronze Age of Comic Books was Ira West, and William West since the launch of the New 52, Joe West is an original creation for the TV series.
  2. However, like Iris’ family in the comics since the launch of the New 52, he and Iris were written as African-American for the TV series.

Regarding Joe’s relationship with Barry, Martin said, “When something is bothering, he will come to, He won’t go to Harrison Wells to talk about his real life. He comes to,” Martin also reprised his role in the TV crossover event ” Crisis on Earth-X “.

Why doesn’t Rhys remember Joe?

Joe learns his secret connection to Rhys – When Part Two opens, Joe is still trying to connect Rhys with the murders and, in doing so, clear his own name. Rhys, however, has the upper hand: He shares that he has kidnapped Marienne. Joe must kill Kate’s father Tom (Greg Kinnear), a corrupt businessman, to find out where Marienne is being kept. Which one is Joe? Which one is Rhys? Pictured: Ed Speelers and Penn Badgley. Netflix And so, off Joe goes. Joe gets Tom alone, but the billionaire admits he knows Joe’s real identity. Tom blackmails Joe and demands he kill Rhys. So, Joe travels to Rhys’ home in the countryside and knocks on his door.

Rhys claims he has never seen Joe before, but Joe bypasses his protestations, knocking him out and shackling him to a chair. Rhys repeatedly claims he does not know who Joe is, sending the murderer into a fit of rage. Joe kills Rhys, but then he sees him reappear in an imaginary form. Joe slowly realizes that the Rhys he has been talking to throughout Season Four has been a figment of his imagination.

That means Joe is Rhys. He is the killer.

Asked By: Bryan Reed Date: created: Feb 26 2024

Who does Rhys love

Answered By: Alfred Coleman Date: created: Feb 28 2024

When Rhys fell in love with Feyre | Book jokes, Fan book, Favorite book quotes.

Did Joe fall in love with Rhys?

Like Lady Phoebe’s (Tilly Keeper) stalker, Joe has been suffering from erotomania, which is characterized by the delusion that one is the object of another person’s desire. He imagined his entire passionate (if antagonistic) relationship with Rhys, a man he actually barely knows.

Was Joe texting himself in season 4?

Joe Goldberg has not turned over a new leaf, In fact, he’s been tricking You viewers as the unreliable narrator of the hit Netflix serial killer drama. Part 2 of season four pulled off a major twist: Joe hasn’t exactly been himself this season. When returning after the Part 1 release with the final five episodes of the split season, the final moments of episode seven, “Good Man, Cruel World,” revealed that this season’s villain isn’t Rhys Montrose — it’s actually Joe ( Penn Badgley ).

  1. When Joe is led to the real Rhys by Tom Lockwood (Greg Kinnear), the father of Joe’s season romance Kate (Charlotte Ritchie), You ‘s resident stalker-murderer thinks he’s killing the man who has been tormenting him for the last few months.
  2. But in reality, Joe kills a man he’s never even met.
  3. In a series of flashbacks, the audience learns that every time Joe thought he was talking to Rhys, he was actually talking to himself.

Episode eight, “Where Are You Going? Where Are You From?” is told mostly from the perspective of season three romance Marienne (Tati Gabrielle), through a fairytale she pretends to tell her daughter. When viewers saw Joe let her go in the first episode, that wasn’t reality.

He actually kidnapped her, the way he always does, and then forgot about her as his obsession with Rhys took hold. Over the course of the final two episodes, when Joe discovers that he did, in fact, take Marienne hostage, he wants to let her go. But, worried she’ll turn him in, he leaves her in his familiar box while he tries to find another way.

When Joe’s student Nadia (Amy-Leigh Hickman) finds Marienne, the women fake her death in a plot to truly get Joe to leave Marienne alone. The penultimate episode, “She’s Not There,” also brought the surprise returns of Elizabeth Lail’s Beck and Victoria Pedretti’s Love, whose ghosts convince Joe that the only way to end the cycle of kidnapping and murdering is to take his own life.

The finale, “The Death of Jonathan Moore,” sees Joe throwing “Rhys,” a.k.a. his dark side, off of a bridge and then jumping off the bridge himself, only to be saved by a police boat patrolling the river. In the last act, Kate tells Joe to be honest with her about everything and, surprisingly, he is. With her newfound power as the head of her dead father’s company (he’s killed by Joe), she’s able to spin his story to make him out to be a hero who escaped his murderous wife.

Fittingly, as Taylor Swift’s “Anti-Hero” plays, survivor Marienne is seen reunited with her daughter, reading The Cut article, “A Brush with Death, A New Life of Philanthropy: How Joe Goldberg Escaped Killer Love Quinn.” The final scene sees Joe and Kate back in New York, and a flash of “Rhys” shows that Joe’s dark side is sticking around.

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Speaking with The Hollywood Reporter, Badgley says he feels like his character is in a new place of power for the first time in his life, and that if he’s ever brought to justice by showrunner Sera Gamble “it’ll probably be this spectacular resolution that everybody’s hoping it could be, because now he has further to fall.

He has power, and the stakes are high. He’s not just some guy anymore.” Below, the star also opens up about working with Lail and Pedretti again, and where he and Kate go from here, So, the big reveal in Part 2 is that Rhys has actually been Joe this whole time,

I was absolutely shocked. Can you walk me through this plot twist? I’m really so glad to hear that, because they weren’t written in two parts. So all that time for people to think about it made me a little bit nervous, to be honest. I’m sure it makes the showrunners nervous — well, I don’t know because Netflix in its algorithm seems to be pretty confident that we’ll be alright.

But, I love it. Because, here’s the thing: As an actor, I got the best of both worlds, and I think Joe does too, and thereby, so does the viewer. So, we all get it. He’s real enough that he’s a different person. Can you imagine how insufferable it would feel if I was playing his ? I mean it might be fun.

  • It might be compelling.
  • But, we did get a taste of that in season three, when Joe and Joe were having their bit, and I actually did really like that.
  • But man, the amount of time that would have taken, it’s so different.
  • So, just for Joe to be forming something of a love relationship — an attachment relationship, a real friendship — with a man is so refreshing.

We got it with Forty in season two, and he was iconic for that reason — and also because James Scully is a great actor, and it was a great character. I so prefer it this way, because the one thing he couldn’t do with another friend is really go into his psychosis the way we were able by doing it this way.

It was some of the most fun that I think I’ve had playing Joe, even just in that he gets to speak more. If Rhys is essentially the embodiment of his thoughts, that means he’s not thinking as much. So, that means Joe has to talk rather than think. If you notice in the trailer for Part 1, I have one line.

One line. The rest of the time, just dead silent. So what it means, on the purest of levels, is that I get to perform a bit more in a different way. Penn Badgley as Joe Goldberg in You, Netflix I actually didn’t notice that. Now I need to go back and watch the trailer. Watch the trailer. It’s crazy, because I literally have one line and it’s, “You’re wrong about me.” And it’s all narrated. In the finale, Joe tells Kate everything.

Now with her new role as head of her father’s company, they’re able to spin the story and give Joe a new life of wealth, privilege and power. I was hoping Joe would be brought to justice, Where does Joe, and where do Kate and Joe, go from here? That’s a question for the writers and for Netflix as to the whereabouts of season five,

What I like is that it actually puts us in a new place, because as much as we like watching the arc of Joe, we also want him to be brought to justice. But, death or prison? Are they that satisfying? What do we even mean when we say “brought to justice”? Do we really want vengeance? Do we want revenge? Do we want torture? What is it that people want? And, what is actual justice? They’re not necessarily the same thing. Charlotte Ritchie as Kate with Badgley as Joe. Courtesy of Netflix Because I genuinely hoped that Joe had turned over a new leaf when he allegedly let Marienne (Tati Gabrielle) go at the beginning of the season, it broke my heart to find out she had been in a cage this whole time.

  • Why do you think he couldn’t let her go? The answer is more like in the science of the mind.
  • He’s unable to, not because of anything that she has that’s unique.
  • He’s unable to do this because of who he is.
  • And how he’s been oriented in his life.
  • This is what he’s going to do with anybody.
  • He’s going to find something.

Until he gets somebody, he’s going to find what he wants about them. And then once he gets them, guess what? Eventually, he’ll get bored and they go in the box, and they either get out or they don’t. That’s the conceit, and that makes sense. It checks out.

  1. I mean, it’s fantastical, but it’s consistent with human behavior.
  2. It’s actually not really about the other person in any relationship.
  3. For better or worse, much of what we’re working with in a relationship is ourselves, but we project it onto another person.
  4. And so, again, I think Joe is just this really fanciful allegory for all that.

There’s nothing about Marienne, actually, that’s pulling him in. Then you go into the realm of Joe. What does he think it is, that she understands him better than anybody else before? Not because she’s a killer like Love (Victoria Pedretti) who — maybe for a fraction of a second before he hated her for it — had something they could connect with.

He thinks where they really connect is trying to get closer and closer to the original wound. Beck was, in a way, the most superficial relationship. She kind of was “the one,” which is Joe working out his own awful fantasy in his mind. With Love, she came to the table and was like, “I can meet you where you are now.

I am a killer now.” But they didn’t have the same upbringing and it was from a different place. So, then with Marienne he’s thinking, “Well, I’m not a killer. I am capable maybe of that sort of atrocity and could maybe be capable of hearing it from you and accepting that, but what we really share is this earlier life stuff.

  • We grew up in the foster care system and have suffered abandonment.” So, on some level, he’s really trying to get back to the original wound with every relationship.
  • You mentioned Beck and Love.
  • In the penultimate episode, Elizabeth Lail and Victoria Pedretti come back as figments of Joe’s imagination, encouraging him to take his own life.

What was it like working with them again? It was great. I directed that episode as well, so that was just really poignant for me, being able to direct both of them. They were both in and out so quick, and that episode was a beast. Our schedule was insane. Victoria Pedretti as Love in You Part 2. Netflix You’ve shot down a lot of people who have glorified Joe on social media. Why do you think it’s important to show that Joe is truly not someone to strive for? I think what the show was doing is like a campy exploration of our most toxic misconceptions of love and power and ourselves.

And if we forget that and get lured in by his unreliable narration and think we’re actually in a story about a man who’s trying to change and trying to fall in love and trying to find somebody, well then we’re too much under Joe’s spell. And that’s good on one hand, because it means we’ve made this thing in a compelling enough way that that’s what it does.

But the show is most valuable when you’re under Joe’s spell and you’re watching it, again, as more as an exploration of us, rather than just about him. If you think it’s about him, that’s when you’re too much under the spell. And so I think I was just trying to help the concept do what it does best.

Who set up Joe season 4?

Episodes –

No. overall No. inseason Title Directed by Written by Original release date
Part 1
31 1 “Joe Takes a Holiday” & Leo Richardson February 9, 2023 ( 2023-02-09 )
In a flashback, Joe tracks down Marienne in, but chooses to let her go after she calls him a murderer. Joe is later met by Elliot Tannenberg, a fixer working for Love’s father, who sets him up with a cover identity in exchange for killing Marienne to tie up loose ends. Joe instead pickpockets Marienne’s necklace and sends its picture to Elliot to make it appear he killed her. In the present, Joe lives under his new identity as “Jonathan Moore”, a university English professor. He develops an interest in Kate Galvin, the girlfriend of his obnoxious fellow professor Malcolm Harding, who lives in the flat across from him. Joe saves Kate from two muggers; to repay him, Malcolm invites him to a party at the elite Sundry House, where Joe befriends author and mayoral hopeful Rhys Montrose. Joe gets heavily intoxicated at the party and awakens in his flat to find Malcolm stabbed to death and missing a finger. Assuming he killed Malcolm before blacking out, Joe disposes of his body. The next day, Kate invites Joe to dinner. As Joe arrives, he receives a series of anonymous texts from Malcolm’s real killer, thanking him for disposing of the evidence.
32 2 “Portrait of the Artist” John Scott Kara Lee Corthron & Neil Reynolds February 9, 2023 ( 2023-02-09 )
Lady Phoebe, Kate’s aristocrat best friend, invites Joe to an art exhibition curated by Kate and featuring the work of Simon Soo, a billionaire’s son in their friend circle. Joe breaks into Malcolm’s office and finds a ledger of gambling debts and various codenamed contacts. Joe follows Phoebe’s boyfriend Adam Pratt, an American expat who owns Sundry House, and discovers he has a fetish for being urinated on by men, before Adam’s bodyguard Vic thwarts him. At the exhibition, Simon’s art is vandalized by a woman that Joe and Kate later learn is the real artist behind the paintings, who Simon got addicted to drugs to discredit her. Joe recalls a reference to the artwork in Malcolm’s ledger and believes Simon killed Malcolm to avoid being extorted; however, Simon is murdered that night, with the killer cutting off one of his ears. Joe returns home to find his wall covered in newspaper clippings from his past, the killer having deduced his real identity.
33 3 “Eat the Rich” Justin W. Lo & Mairin Reed February 9, 2023 ( 2023-02-09 )
The killer sends Malcolm’s finger to the press, and is dubbed the “Eat-the-Rich Killer”. Joe discovers his student Nadia was in a sexual relationship with Malcolm. At Simon’s funeral, the killer orders Joe to kill Kate. Joe follows Kate around to protect her; though initially cold to Joe, Kate eventually opens up to him and the two have sex, unaware that Vic is watching them. The next day, Joe follows Kate to a crypt where she pays respects to Malcolm; after she leaves, Vic, who was following Joe, searches him at gunpoint and finds Malcolm’s ring, which Joe realizes was planted on him. A struggle ensues, forcing Joe to kill Vic. The killer suggests Joe is aroused by murder; Joe plays along and tells the killer to let him finish Kate, and the killer arranges a meeting with him. Phoebe calls Joe to Sundry House, where the police are waiting to question him.
34 4 “Hampsie” Harry Jierjian Michael Foley & Amanda Johnson-Zetterström February 9, 2023 ( 2023-02-09 )
Joe is invited to Phoebe’s family’s country manor for a weekend getaway. He observes her friends, particularly a socialite named Gemma, behaving callously to the servants. Joe shuts down Phoebe’s attempt to seduce him, and she instead confides her concern that Adam does not love her. Adam, meanwhile, tells Joe he plans to propose to Phoebe, in part because her family fortune will rescue him from mounting debts. Joe comes at odds with Roald Walker-Burton, Kate’s childhood friend whom Joe discovers is obsessed with her. At dinner, Roald chastises Kate for not accepting herself as “one of them”, while Gemma accuses Joe of being the killer. Kate later reveals to Joe that her father is a powerful investor with whom she cut ties due to the harm his business dealings have done to the world. Joe realizes he may be in love with Kate. Roald confronts Joe about being the killer, and pushes him out of a second-story window. Joe recovers and hears a scream; he runs to find Kate, only to discover her kneeling over Gemma’s corpse with a knife in hand.
35 5 “The Fox and the Hound” Harry Jierjian Hillary Benefiel & Dylan Cohen February 9, 2023 ( 2023-02-09 )
Kate insists she did not kill Gemma. Joe comes to believe her and helps her dispose of the body in a barn while the others are partying. Kate confronts Joe about his past after noticing his apparent experience with covering up murders; Joe admits that he disposed of Malcolm’s body, and that whoever framed him is now trying to frame Kate. Kate goes to tell Phoebe to dismiss the servant staff; while she is away, Roald discovers Joe in the barn and brings him to the others, accusing him of being the killer. Despite Joe’s protests, Roald gives him a headstart to flee before pursuing him with a shotgun. Joe subdues Roald in the woods, only to be captured and placed in a dungeon by the real killer: Rhys, who—having come from poverty—committed the murders out of hatred towards the rich. Rhys tells Joe to kill Roald so they can frame him for the murders. When Joe refuses, Rhys sets the dungeon on fire and leaves; Joe escapes and frees Roald, and the two are rescued by Kate. Joe does not tell the others about Rhys, and vows to bring him down himself. Rhys announces his candidacy for,
Part 2
36 6 “Best of Friends” John Scott Justin W. Lo & Leo Richardson March 9, 2023 ( 2023-03-09 )
Rhys forces Joe to find someone to frame for the murders, and places Simon’s severed ear in his freezer. Joe initially plans to frame Connie, a member of the Oxford group who confides his struggles with addiction, but later relents when Connie decides to get clean. At Kate’s latest gallery fundraiser, Phoebe is held captive in a hotel room by Dawn, a woman posing as a waitress who has a obsession with her. Joe negotiates his way into the room and plants Simon’s ear in Dawn’s bag before the police arrive, thus getting Dawn arrested for the “Eat the Rich” murders. Nadia, who witnesses the arrest, becomes suspicious of Joe. Adam proposes to Phoebe, but Phoebe, who learned of his financial problems from Dawn, rejects him. Joe and Kate admit their feelings for one another after Kate promises not to inquire into Joe’s past. Rhys gives Joe a final task: kill his rival political donor Tom Lockwood, Kate’s father.
37 7 “Good Man, Cruel World” Rachel Leiterman Ab Chao & Neil Reynolds March 9, 2023 ( 2023-03-09 )
Joe accompanies Kate to dinner with her father, who is visiting London; Lockwood reveals he knows Joe’s real identity. Lockwood soon gets an article published revealing that Rhys fabricated much of his memoir. Rhys reveals he has kidnapped Marienne, and forces Joe to kill Lockwood to save her. Phoebe struggles with symptoms after her kidnapping; Kate arranges her stay at a clinic, but Phoebe instead decides to marry Adam. Joe prepares to kill Lockwood, but Lockwood instead enlists him to kill Rhys, giving him the location of a countryside cottage where Rhys has gone into hiding since the publication of the exposé. Joe finds and tortures Rhys for Marienne’s location; Rhys pleads his innocence, but Joe ends up killing him, only to then discover he has been hallucinating Rhys as the killer the whole time. Nadia, meanwhile, finds a key in Joe’s apartment that leads to a room where he has kept Marienne trapped in a glass cage.
38 8 “Where Are You Going, Where Have You Been?” Rachel Leiterman Kara Lee Corthron & Mairin Reed March 9, 2023 ( 2023-03-09 )
Joe is revealed to have drugged and kidnapped Marienne before she could leave London, and locked her in a glass cage in the basement of an abandoned building across from Rhys’ favorite restaurant. Joe had been exhaustively researching Rhys’ life, finding commonalities between Rhys’ story of rising out of a life of crime and poverty and his own desire for moral redemption. Upon imprisoning Marienne, Joe suffered a psychotic break that caused him to, resulting in gaps in his memory where he kidnapped Marienne and later committed the murders. Having forgotten he kidnapped Marienne, Joe left her to starve in the cage. The “Rhys” in Joe’s visions proclaims himself to be a figment of his darker impulses, and helps him remember where he kept the key to Marienne’s location. Joe arrives at the building at the same time Nadia explains to Marienne her plan to help her escape.
39 9 “She’s Not There” Hillary Benefiel & Amanda Johnson-Zetterström March 9, 2023 ( 2023-03-09 )
Nadia manages to hide while a horrified Joe finds Marienne and promises to set her free. Nadia later procures from her boyfriend Edward to use on Joe. Joe and Kate attend Adam and Phoebe’s wedding party and attempt to convince Phoebe—whose mental state has declined—not to marry Adam. Phoebe is later committed to psychiatric care after suffering a breakdown at the party. Adam is killed by hitmen posing as prostitutes, who Kate learns were sent by her father; she refuses his request to take over his business. Joe takes Phoebe’s to expunge his visions of Rhys, but experiences a nightmare in which he sees Gemma, Beck and Love, which convinces him the only way to end his obsessive cycle is to kill himself. He awakens to go free Marienne, only to find she overdosed on medication he left for her earlier.
40 10 “The Death of Jonathan Moore” Harry Jierjian Michael Foley & Sera Gamble March 9, 2023 ( 2023-03-09 )
Believing Marienne to have died, Joe disposes of her body at a park to make her look like she overdosed. Nadia, however, tells Edward that she and Marienne plotted to fake the latter’s death so that she could escape. Kate tells Joe that her father revealed himself to have bankrolled her every venture even after their estrangement, and confides her fear of never escaping his control. Joe kills Lockwood, and the next morning, attempts suicide by jumping off a bridge. However, the police rescue him; he awakens in the hospital to find Kate, who tells him she has inherited all her father’s assets, and has already covered up Joe’s involvement in Rhys’ death. Joe decides to accept his darker half; he kills Edward and frames Nadia for the crime. While Marienne reads an article about Joe while safely home with Juliette back in Paris, Joe moves back to New York with Kate, who runs her father’s business after his death and helps Joe rehabilitate his public image as Love’s escaped victim.
Asked By: Simon Flores Date: created: Oct 06 2023

Was Joe hallucinating in season 4

Answered By: Aaron Foster Date: created: Oct 09 2023

Originally released in 2018, the American psychological thriller – You – has released four seasons thus far, with a fifth expected to come sooner or later this year. – ANI If you only watched the first five episodes of “You” on Netflix, which came out last month, you might have hoped that the “Eat the Rich” killer who was targeting London’s wealthiest wasn’t actually the main character who is a murderer and a stalker in the show.

However, the latest episodes, which were released on Thursday, reveal that it was indeed Joe, played by Penn Badgley, who was responsible all along. Although it was suggested that Joe was in a fugue state or had multiple personalities, he still managed to get away with his actions, and even more. The fourth season finale of “You” provided answers to many questions while leaving certain characters dead, some incarcerated, and others on the run.

Season 4’s significant twist in Part 2 involves Joe’s hallucination about his conflict with London’s mayoral candidate Rhys. Although Rhys is a real person, Joe had never met him before. Joe unwittingly murdered Malcolm, Simon, and Gemma, and he also kidnapped Marienne, his obsession, and kept her in a glass cage.

Joe realizes his mistake when he kills the real Rhys in episode 7. As Season 4 of “You” comes to a close, Joe has returned to his hometown of New York for the first time since the first season. He seems content in a new relationship and is no longer on the run from his past. However, this blissful state is unlikely to last for the notorious murderer.

Although Joe’s wife, Love Quinn, was wealthy, Kate, his new partner, is incredibly powerful and even brought Joe back from the brink of death. If things sour between Joe and Kate, the consequences will undoubtedly be severe. With Joe back in his hometown and partnered with his most dangerous collaborator, a fifth season could be a fitting conclusion to the series.

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Is Joe in s4 hallucinating?

You has been teasing Joe’s hallucinations since the beginning, and You season 4, part 2 finally pays off this story with its stunning Rhys twist. Warning: This article contains SPOILERS for You season 4, part 2. You has been teasing season 4’s Rhys twist since way back in You season 1. Penn Badgley’s Joe Goldberg has long struggled with two sides of himself – the dark killer and the good person he believes he truly is.

  • However, each You season sees Joe’s crumbling psyche continue to give way.
  • Just when Joe appears to be making progress, he takes steps backward.
  • You season 4 illustrates this with the Eat The Rich killer twist.
  • You season 4, part 1 ended with the reveal that Rhys Montrose was the Eat The Rich killer.
  • Yet, You season 4, part 2 does not take long to show Joe killing the real Rhys Montrose, thus revealing that Joe has been hallucinating Rhys as his killer self.

This is not the first time that Joe has hallucinated, but this is the first time that Joe has killed offscreen and attributed the deaths to someone else. This revelation shows how far gone Joe’s psyche is, and how far away he is from becoming a better person.