- 1 Who has played Morticia Addams Family
- 2 Who plays Morticia Addams 1991
- 3 Who is playing Morticia Addams in the new show
- 4 What does Morticia call Gomez in French
- 5 Who played Morticia in Netflix
- 6 How did Gomez and Morticia meet
Who has played Morticia Addams Family
In other media – Anjelica Huston as Morticia in the 1991 film The Addams Family, Morticia was portrayed by Carolyn Jones in the TV series, and Halloween with the New Addams Family TV movie, According to the 60s TV series, Morticia is descended from Salem, Massachusetts (“The Addams Family Tree”, episode 5, season 1).
- In the season II 2-parter episodes, Morticia’s Romance (Parts I & II), Morticia first met Gomez when she (then 22-years-old) and her elder sister, Ophelia, were brought to the Addams’ Mansion by their mother, Mrs.
- Ester Frump, a long-time close friend of Gomez’ mother, from their time together at “Swamp Town High”, both of whom wished for the then around-22-year-old Gomez and Ophelia to marry.
Before this episode, however, different allusions as to how Morticia and Gomez first met and fell in-love are made; in Green-Eyed Gomez, it’s mentioned that Gomez first fell in-love with Morticia when he first saw her riding ” sidesaddle on a buffalo ” and she, likewise, when he carved her initials on his leg; in Morticia the Matchmaker, Grandmama mentions that her “Love Dust” (which she uses multiple doses on Morticia’s cousin, Melancholia) was used to initially bring Morticia and Gomez together.
- Jones also voiced the character in an episode of The New Scooby-Doo Movies that featured the family: “Wednesday Is Missing”.
- Anjelica Huston portrays Morticia in The Addams Family and its sequel Addams Family Values,
- Huston’s portrayal of Morticia was always illuminated by a ghostly glow around the eyes, which became most noticeable when she was standing or lying in dim light (just like Bela Lugosi in 1931’s Dracula ).
According to the 1991 movie, Morticia first met Gomez when she was attending his cousin Balthazar’s funeral (and Gomez was the main suspect); Morticia and Gomez could not keep their eyes off each other and, according to Gomez, everyone hardly paid Balthazar any attention as he was buried, and Gomez proposed to Morticia later that very night.
Daryl Hannah played Morticia in the 1998 film Addams Family Reunion, Canadian actress Ellie Harvie played Morticia in the 1998-1999 revival series, The New Addams Family, In the first animated series made in 1973, Morticia was voiced by Janet Waldo, In the 1992 animated series, she was voiced by Nancy Linari,
In the 2010 Broadway musical, Morticia was portrayed by Bebe Neuwirth, Brooke Shields replaced her in the role on June 28, 2011. Morticia was also one of the inspirations for the Disney character Magica De Spell, first designed and drawn by Carl Barks for the Donald Duck universe,
- Natasha Fatale, a villain from the Rocky and Bullwinkle cartoons, was also based on Morticia’s design.
- Morticia is voiced by Charlize Theron in The Addams Family (2019),
- Theron reprised her role in the sequel, which was released on October 1, 2021.
- Catherine Zeta-Jones portrays Morticia in the Netflix series Wednesday,
According to the 2022 series, both she and Gomez first met at Nevermore Academy, a boarding school for supernatural people (also known as “Outcasts”). Her maiden name from the 60s TV series, Frump, was kept. It is revealed in flashbacks that she and Gomez were involved in the death of “normie” Garrett Gates, who tried to kill Gomez in a blind rage, desiring Morticia for himself.
- The future Principe, Larissa Weems, was her roommate and very jealous of Morticia, due to her many achievements.
- Morticia’s supernatural ability is receiving psychic visions of the past or future, just like Wednesday, and is hereditary on both sides of the family, since both Gomez and Morticia share a mutual ancestor in Goodie Addams, from the 1600s.
Morticia tells her daughter that the mood and tone of their visions are based on the recipient’s attitude, so hers tend to be happier in nature than Wednesday’s. Morticia also warns Wednesday to be careful of their distant ancestor, Goody Addams, whom Morticia describes as a “witch of great strength”, as she let her thirst for vengeance consume her.
Who plays Morticia Addams 1991
The Addams Family (1991) – Anjelica Huston as Morticia Addams – IMDb.
Who is playing Morticia Addams in the new show
Catherine Zeta-Jones as Morticia Addams – Emma McIntyre // Getty Images Catherine Zeta-Jones has been in Hollywood for almost four decades, with credits in blockbuster movies like The Mask of Zorro and Chicago, Plus, several captivating appearances in the Fox series Prodigal Son before its cancellation.
Who played Morticia in The Addams Family on Broadway?
|The Addams Family|
|A New Musical Comedy|
|One of 2010 theatrical release posters|
|Book||Marshall Brickman Rick Elice|
|Basis||comic strip The Addams Family by Charles Addams|
|Productions||2009 Chicago tryout 2010 Broadway 2011 North America tour 2013 US/Asia tour 2017 UK tour 2021 UK tour|
The Addams Family is a musical comedy with music and lyrics by Andrew Lippa and book by Marshall Brickman and Rick Elice, The show is based upon The Addams Family characters created by Charles Addams in his single-panel gag cartoons, which depict a ghoulish American family with an affinity for all things macabre.
- Although numerous film and television adaptations of Addams’ cartoons exist, the musical is the first stage show based on the characters.
- The Addams Family is also the first show produced by Elephant Eye Theatricals.
- After a tryout in Chicago in 2009, the musical opened on Broadway in April 2010.
- The original cast featured Nathan Lane as Gomez and Bebe Neuwirth as Morticia.
The production closed on December 31, 2011, and a revised national tour of North America began in September 2011. The Addams Family won several awards during its Broadway run including a Drama Desk Award for Outstanding Set Design, an Outer Critics Circle Award for Outstanding Set Design, and the 2010 Drama League Award for Distinguished Achievement in Musical Theatre Award (presented to Nathan Lane).
What does Morticia call Gomez in French
According to ‘The Addams Family’ trivia page on IMDB.com: ‘Morticia’s pet names for Gomez generally meaning ‘Darling’/’My Darling’ are ‘Bubeleh’ (Yiddish), ‘ Mon Cherie ‘ (French), Querido (Spanish).
Did Cher ever play Morticia?
She and Barbra Streisand are the only two female performers in the United States to have had a #1 hit and won a competitive Oscar. Her legal name has changed numerous times throughout her life. She was born as Cherilyn Sarkisian, and in 1961 her legal name was changed to Cheryl LaPiere after her stepfather formally adopted her. After her two marriages she had up to four last names, Sarkisian LaPiere Bono Allman, though accounts differ whether she was still using her birth father’s last name and if her legal first name was Cherilyn or Cheryl. In 1979 she legally shortened her name to Cher, with no surname. She lives by her mother Georgia Holt ‘s rule-of-thumb life lesson: “If it doesn’t matter in 5 years, it doesn’t matter”. Beat out Céline Dion ‘s “My Heart Will Go On” for the best-selling single of 1998 with “Believe”. Is the only certified female performer in music history to have had a US #1 single in the 1960s, 1970s, 1980s and 1990s. Holds the record for oldest female artist with a #1 hit (“Believe”). When she first heard Diane Warren ‘s demo for “If I Could Turn Back Time”, she detested the song and firmly rejected it. It was only after much encouragement and badgering from the songwriter that she agreed to record it. The fact that Warren agreed to fund the recording session also helped clinch the deal, and Cher nailed the recording after just two takes. Her parents married and divorced three times. Mostly lived in London, England in the late 1990s and early 2000s. She now lives in Malibu, California. Cher’s father was of Armenian ancestry. Cher’s mother had English and German, with more distant Dutch, French and Irish ancestry. Cher’s mother reportedly had Cherokee ancestry as well, but it is not clear if this ancestry has ever been verified or documented. When she appeared on Graham Norton ‘s show in October 2013, shortly after the death of British Prime Minister Margaret Thatcher, Norton pointed out the hashtag – #nowthatchersdead – that referred to Thatcher, but had been misconstrued as Cher’s death. She was the subject of an episode of The X-Files (1993) called “The Post-Modern Prometheus” (5X06; first aired November 3, 1997). This episode concerned a deformed man who adored Cher because of her role in Mask (1985), in which her character cared for her deformed son. Several Cher songs appeared on the soundtrack of this episode, including “Gypsies, Tramps and Thieves” and “The Sun Ain’t Gonna Shine Anymore”. At the end of the episode, Mulder and Scully take the Cher fan to a Cher concert, where they hear her sing her cover of “Walkin’ in Memphis”. Cher, a huge fan of “The X-Files”, was asked to play herself in this scene but declined the producers’ offer. However, she revealed on The X-Files Movie Special (1998) that once the episode aired, she regretted not having appeared in it. Prior to giving birth to her son Chaz Bono, she suffered four miscarriages. From 2002-2005, she has had an immense success with her “Living Proof Farewell Tour”, spanning the globe, making her the world’s top diva. She also holds the record for longest-running tour and most money grossed than any female artist in history. Although her music video “If I Could Turn Back Time” is often cited as the first video to be banned by MTV, this is not true. The Rolling Stones (“Neighbors”), Ramones (“Psychotherapy”) and Laura Branigan all had videos banned several years beforehand. She won a Grammy Award in 2000 for the song “Believe” and an Emmy Award in 2003 for a special on her farewell concert tour. Spoke the eulogy at ex-husband Sonny Bono ‘s funeral. She has had rhinoplasty and other cosmetic surgeries and occasionally refers to herself as the “Poster girl for plastic surgery”. Has appeared solo on the cover of People magazine a near record 13 times. Considers her performance as Rusty Dennis in Mask (1985) to be her finest work onscreen. A 2002 Rolling Stone article estimated her wealth at over $600 million. Since then she has embarked on a hugely successful farewell tour that is still going and released a greatest hits CD that has spent weeks in the the Billboard Top 10. In a recent poll, A&E’s Biography Magazine ranked her as people’s Number 3 favorite actress of all time behind her two Hollywood idols, Katharine Hepburn and Audrey Hepburn, The singer’s video “If I Could Turn Back Time” (1989) (by Diane Warren ) was filmed aboard the (now decommissioned) USS Missouri (BB-63) (“Mighty Mo” or “Big Mo”) in Long Beach (California) and featured (in cameos) Cher’s son Elijah Allman and (his father/her ex) Gregg Allman as backing guitarists. Directed by Marty Callner, Her 1999 hit single “Believe” was ranked #60 on VH1’s 100 Greatest Dance Songs. She and Sonny Bono were among many of the celebrities who made regular weekend visits to Ralph Helfer ‘s Africa U.S.A. Exotic Animal Ranch in Soledad Canyon, California to pitch in with the chores and to play with the animals. Was in consideration for the role of Lilly Dillon in The Grifters (1990) but Anjelica Huston, who went on to receive a Best Actress Oscar nomination for her performance, was cast instead. In her 1974 divorce from Sonny Bono, he was ordered to pay her $25,000 per month for 6 months, $1,500 per month child support and ordered to pay $41,000 for her attorney’s fees. Their liquid assets were otherwise split 50/50. She received their Bel Air mansion, Bono received an Aspen condo, Palm Springs house and another Los Angeles dwelling. She was awarded a Star on the Hollywood Walk of Fame for Television at 7020 Hollywood Boulevard in Hollywood, California on May 15, 1998. Ranked #43 on VH1’s “100 Greatest Women of Rock N Roll”. Cher has admitted having a lesbian affair in her mid-teens. Holds the record for the the longest gap between #1 hits (“Dark Lady” 1974, “Believe” 1999). Cher has had 4 Barbie dolls made in her likeness: Timeless Treasures Cher released in 2001, Blonde Ringmaster Cher, 70’s Native American Cher, and 80’s Cher, the latter three all being released in 2007. All four dolls were designed by Bob Mackie.
Who played Morticia in Netflix
Catherine Zeta-Jones as Morticia Addams Catherine Zeta-Jones, 53, takes on the role of the family matriarch, Morticia Addams.
How did Gomez and Morticia meet
How Morticia and Gomez’s Meeting Differs in Other Versions – “Morticia’s Romance” would in many ways be the more iconic version of how the Addams Family truly came to be, with the storyline even being remade in the 1998 series The New Addams Family, Later episodes of the original show would somewhat contradict “Morticia’s Romance,” making mention of the love notes that Gomez supposedly sent to Morticia when they were courting.
Given that the episode showcasing their betrothal gave no such time for a courtship, it’s likely an example of an attempt at humor, even at the expense of continuity. In the ‘1990s Addams Family movies, Morticia and Gomez met each other at a funeral, with the latter’s morose sense of flirtation noting that his future bride was so beautiful that it distracted from the sight of the corpse.
The new series Wednesday, however, makes it clear that a young Gomez and Morticia met at Nevermore Academy. This school is a haven for misfits and outcasts, and it’s where the couple’s daughter would later attend school. No matter how it was that the two met, Morticia and Gomez are a disturbingly healthy example of a great marriage, showing that even the coldest, blackest hearts can beat for another.
Is Addams Family Latino?
Wednesday Addams wasn’t always Latina. The first person in The Addams Family to become canonically Latino was her dad, Gomez Addams. After first being played by non-Latine white actor John Astin, Puerto Rican actor Raul Julia took on the role when he was cast in the 1991 The Addams Family film and its 1993 sequel, Addams Family Values,
- Since Julia’s memorable performances, Gomez has been consistently played by Latino entertainers.
- But his identity had, strangely, never extended to his children: Wednesday and Pugsley never mentioned their cultural identity, nor have they been historically played by Latine actors.
- Breaking with the franchise’s tradition, Netflix’s Wednesday promised to deliver a canonically Latina Wednesday Addams, played by the talented Jenna Ortega.
Latine fans welcomed the news, excited for a new Addams tale that ties in our culture’s relationship with terror and the dead. While beloved by the community, Gomez’s heritage has been historically portrayed as a quirk rather than an identity. His culture has always been contained by his children’s whiteness, but invoked when the narrative wanted to assert his seductiveness and intenseness toward his wife Morticia.
Netflix’s adaptation of the family that satirises the American dream with unpleasantness and a fascination for horror was slated to be a big Latine representation win — but it felt like more of the same. Advertisement ADVERTISEMENT Ortega delivers an incredible performance, honouring the space given to Wednesday’s heritage after decades of containment.
But as Ortega’s Wednesday starts school in Nevermore Academy, diving into an investigation of the mysterious murders taking place in Jericho, Vermont, it is difficult to really tell how and where her culture factors into her character. Unfortunately, despite the marketing campaign that led many Latine fans to believe otherwise, Netflix’s Wednesday still suffers — like the character of Gomez did over the years — from presenting Latine identity as a quirk rather than an integrated part of its main character.
” “Netflix’s Wednesday still suffers — like the character of Gomez did over the years — from presenting Latine identity as a quirk rather than an integrated part of its main character.” nicole froio ” While Ortega’s performance is iconic — the dance sequence she choreographed herself, for example, is undeniably legendary and pays homage to previous depictions of Wednesday — her Latine identity is hardly discussed or shown.
Wednesday’s heritage is signalled to the audience through weak cultural markers and nothing more: Día de Muertos is mentioned in Episode 6, but that’s all it is, an offhand comment to signal cultural difference. Gomez, played by the wonderful Luiz Gúzman, utters the word “gracias” in Episode 5, again employing Spanish as a cultural differentiator and giving the Latine audience a little meaningless treat.
Throughout the show, Wednesday’s heritage does not affect the plot, it doesn’t come up as part of her daily life, and it’s not a tangible part of the series. While it is refreshing to see a non-stereotypical Latina role, I would have loved the series to take advantage of the rich cultural landscape of brujeria, delve into Mexican mythology and beliefs in the paranormal, and truly integrate Mexican traditions and creeds around death into the already eerie Addams Family narrative.
Instead, Wednesday relies on simply telling its audience that the main character is Latina and moving on. Advertisement ADVERTISEMENT Wednesday ‘s non-engagement with her Mexicanness and its origins becomes even more frustrating as the underlying plot of the show unfolds.
Operating within a fictional and under-explained magical caste system, Wednesday, her family, and her classmates at Nevermore belong to a class of “outcasts” who are at risk of being killed by those who find themselves to be superior to them. Wednesday is responsible for cracking the mystery of who is terrorising the outcasts and murdering people in Jericho, through the visions she gets of her white, blue-eyed ancestor Goody Addams, who was accused of being a witch and burned at the stake for it in the 1600s.
” ” Wednesday relies on simply telling its audience that the main character is Latina and moving on.” nicole froio ” Because of the ill-conceived caste system that stands for a weak metaphor for racism in the U.S., white people are re-cast as the victims of society.
- Wednesday’s ancestor Goody seems to be a white settler.
- But fear not, Goody was actually a “good” settler.
- In one of her visions, Wednesday sees Goody being chased and punished by pilgrims for being a witch, and she declares: “I am innocent.
- It is you, Joseph Crackstone, that should be tried.
- We were here before you, living in harmony with nature and the native folk.
But you have stolen our land. You have slaughtered the innocent. You have robbed us of our peaceful spirit. You are the true monster. All of you!” This would be an impactful line if Native Americans or Indigenous people from Mesoamerica — aka the people who were actually massacred in the process of colonisation — were depicted in the show.
- Instead, the viewer is presented with a white-washed, nonspecific category of “outcasts” that doesn’t discuss or engage with Indigeneity at all and, most egregiously, includes white people in the role of victims of settler colonialism.
- By generalising a faceless “native people” while simultaneously inserting white characters as victims of genocide, Wednesday erases the very people the film is making reference to.
Advertisement ADVERTISEMENT At this point, this kind of patchy racial politics is common in popular film and TV. While trying to posit productions as “diverse” and engaging in “colourblind” casting, Netflix productions often signal at racial difference but still largely centre whiteness in their narratives.
There is no other explanation for the feeble mentions of Latine identity and the co-optation of Indigenous genocide in the narrative of Wednesday, ” “At the end of the show, the tally is clear: white characters are the victims of colonization, Black people are bullies, and settlers and Indigenous people simply do not exist beyond rhetorical tools for white victimhood.” nicole froio ” These confusing racial politics also result in blatant anti-Black casting and writing of the characters.
The few Black characters on Wednesday play the role of bullies and — shockingly — settlers. An example of this is the character of Lucas, played by Iman Marson, who appears dressed as a pilgrim in Episode 1. When challenged by Wednesday about his costume, which she describes as ” dressed like religious fanatics,” Lucas reveals that he works at the Pilgrim World theme park.
It takes a special kind of stupid to devote an entire theme park to zealots responsible for mass genocide,” Wednesday responds, but Lucas isn’t dissuaded. He reveals that his father owns Pilgrim World, effectively positioning a Black character as someone who profits off celebrating colonisation. Similarly, the stunning siren Bianca, played by Joy Sunday, is part of a group of elite Nevermore students who bully Wednesday for unclear reasons.
At the end of the show, the tally is clear: white characters are the victims of colonisation, Black people are bullies, and settlers and Indigenous people simply do not exist beyond rhetorical tools for white victimhood. Advertisement ADVERTISEMENT Yes, Wednesday is a delightful character and Ortega is a supremely talented actress who deserved a better script, but this doesn’t change the infuriating lack of racial awareness in this show.
We deserve Latine representation that is careful and incisive about the harms and horrors of colonisation, and that squarely and honestly portrays the villains: white settlers. Wednesday simply wasn’t it, but I enjoyed the dancing. The main character is a Latina girl, which I really appreciate. However, there are no queer or trans characters, which has made it extra weird to see people shipping Wednesday with her roommate Enid — Ortega included,
Feels a little bit like queerbaiting, Wednesday seems to be of Mexican descent, but there is no regional specificity or diversity. I counted one “Gracias” in the eight episodes that were released by Netflix. No other mention of Spanish (or other languages predominately spoken in Latin America) was made throughout.
- There are no Afro-Latine characters, and all of the Black characters were made into villains and bullies.
- Wednesday wasn’t portrayed as hypersexual or as a domestic worker in the show, which are two common gender stereotypes for Latina women on TV and film.
- However, the cultural aspects of being Latina were so feebly represented that I’m struggling to really consider this a representation win.
Can the stereotypes of Latina women be subverted or overcome if their ethnicity is seldom mentioned? Sure, the story was fun, but I was expecting more. Wednesday has always been a badass, and while she continues to be one in this show, I was expecting a better thought-out world with actual Latine representation.
Did Catherine Zeta Jones play Morticia in The Addams Family?
Morticia Addams | Wednesday clip | Catherine Zeta-Jones | Catherine Zeta-Jones is actual perfection as Morticia Addams on Wednesday.
What does Gomez call Wednesday?
This musical contains examples of: –
Actor Allusion : Morticia sings “You have to be in love with Death” in the German and Dutch version of “When You’re An Addams”. Elisabeth made Pia Douwes (Dutch Morticia) and Uwe Kröger (German Gomez) household names in the theatre scene, and it revolved around Death’s romantic pursuit of Sisi. Adapted Out : Cousin Itt, although he did come back in the touring version. Downplayed with Thing, who cameos a couple of times. Age Lift : Wednesday’s age is changed from a young girl to a teenager of eighteen. Affectionate Nickname : Gomez calls Morticia “Tish” and “Querida” note, and calls Wednesday “Paloma” note and “My Little Atilla”. Mortica calls him “Mon Cher” note, All-Knowing Singing Narrator : Fester. All Musicals Are Adaptations : Radio ads for the musical didn’t even have to mention the show’s name. It consisted of the famous theme song with an announcer saying “They’re coming to Broadway” and giving the info to order advance tickets. Amazingly Embarrassing Parents : “One Normal Night” shows Lucas and Wednesday both thinking this of their parents (for wildly different reasons) and trying to get them to not be embarrassing in front of the other’s family for one evening. Anything You Can Do, I Can Do Better : The whole point of Lucas and Wednesday’s “Crazier than You” duet. (Lucas actually proves he’s crazier by blindfolding her before she shoots the apple off his head; in the original Chicago production Wednesday actually says “Oh my god, you are crazier than me!”) Audience Participation : Reportedly when the play opens with the famous TV theme song, no one in the audience needs prompting to snap their fingers in time with the cast. Bad Liar : Gomez, when he is trying to hide the fact that Wednesday is engaged to Lucas from Morticia. Beware the Nice Ones : Morticia, in the original preview for the show, discovers Gomez and Alice dancing (she asked him for a lesson to spice up her marriage with Mal), and goes after her husband with a sword. Big Brother Bully : Wednesday was a gender-switched version. But in a typically Addamsish twist, Puglsey enjoyed it. The song “What if” had him confronting the horrible possibility that she might stop. Black Comedy Rape : Mal, the very uptight father of Wednesday’s boyfriend, loosens up and gets back together with his wife who he had been drifting apart from after being molested by a squid living in the Addams’ basement.
Averted in the Touring version: Mal simply watches Wednesday and Lucas reconcile their love and is encouraged by Fester to do the same with his wife.
Bouquet Toss : Not at a wedding, but in the final song, the ghost bride throws Wednesday her bouquet as she re-enters the family crypt with the other ancestors. It’s a cute moment that also symbolically resolves the question of whether or nor the latter’s engagement would continue to its logical conclusion.
The opening number, “When You’re an Addams” is sung to the audience, as are several others. While the rest of the action on stage freezes, Gomez sings to the audience, explaining that there are “Two Things” and “Three Things” he would never do. When he starts to sing that there are “Four Things”, Morticia turns out to be aware of what he is doing and tells him to stop. During “Full Disclosure”, Grandmama refers to the possibility of two 90-year-old “hotties” being in the audience. During “Death Is Just Around the Corner”, Morticia explains a bit of wordplay to the audience.
Morticia: Coroner. Get it? Death is just around the coroner. Changing Yourself For Love : Wednesday Addams changes from a sombre, unorthodox young woman who wears black to a cheerful, generic young woman who wears yellow for her love interest, a guy who is basically just the definition of generic. ◊ by Charles Addams. This however, makes it a bit misleading, as Wedensday is depicted in the poster to be a little girl, when she is actually an eighteen year old teenager in the musical proper. Creepy Family : The driving trope behind all the adaptations. Cultural Translation : The German version of “Pulled” has Wednesday saying Udo Jürgens’ greatest hits have got her pulled in a new direction, rather than Liberace’s. Deadpan Snarker : Lurch manages to be one without even speaking. Whenever someone tells him to hurry, he maintains his slow pace while swinging his arms as though he were running. Did You Just Romance Cthulhu? : Uncle Fester is in love with the moon of all things. (It’s the Addams Family, it doesn’t have to make sense. Although, given that it is the Addams Family, the moon could be alive for all we know!) Don’t Explain the Joke : Gomez, when discussing Alfonso the Enormous with Mr. Beineke. Gomez: Do I have to draw you a diagram? Everyone Has Standards : After Alice’s Acrimonium-induced confession about how miserable her life and marriage to Mal have become, even Gomez (and by extension the rest of the Addams Family) is left stunned by how grim and dark her story is. Expository Hairstyle Change : Used in the musical to signify that Wednesday’s grown up. Final Love Duet : “Let’s Live Before We Die” and the Tango de Amor led by Gomez and Morticia. Funny Foreigner : Gomez is clearly this while portrayed by Lane, who gives the character a “deliciously phony Spanish accent” (as described by a reviewer from the Associated Press). Genre Deconstruction : One of the more refreshing aspects of the play is seeing the Addams Family argue and be angry with each other. In past adaptations, conflicts were usually external and the family is always fully loving and accepting of one another. Here, Wednesday is unsure how to tell Morticia about her engagement and swears Gomez to secrecy, leaving Gomez torn between his wife and daughter, and Morticia spends much of the musical pissed at both of them for keeping secrets from her. Even the most loving, close-knit families aren’t always going to be on the same page.
Ghostly Goals : The reason the Ancestors don’t go back to the afterlife after being summoned at the beginning is because they have to help Wednesday resolve her crisis. Biggest example: they create the storm that strands the Beinekes at the house. Grand Staircase Entrance : In the first act, Wednesday appears at the top of the stairs just after her “normal” fiance and his parents have arrived. Not exactly grand, but the “everyone stares” bit is played straight- because she’s wearing a yellow dress (identical to her normal outfit in all but color). The general reaction is one of horror rather than admiration, from everyone except her future in-laws; in a cut line from the Chicago preview, even her fiance Lucas tells her to “take that dress and burn it.” Gomez says she “look like a crime scene.” Happily Married : Unusually for Addams Family material, this play Double-subverts it with its B-plot: Gomez and Morticia start off this way (par for the course), but Wednesday asks Gomez to keep her engagement to Lucas a secret from Morticia, leading to Poor Communication Kills moments throughout the play, and eventually a fallout between the two. Then, shortly before the final number, Gomez 1: confronts Morticia about Parental Hypocrisy from when they first got married, and 2: invites her on a trip to Paris (a Brick Joke from an earlier moment), and the two make up.
The implication at the end of the play is that both Mal and Alice and Wednesday and Lucas will end up the same.
“I Am Becoming” Song : Wednesday sings about how love is changing her in “Pulled” Improbable Aiming Skills : Wednesday manages to shoot an apple off Lucas’ head with a crossbow. While blindfolded. Some productions justify this by having the ancestors help her.
- Improv : In “One Normal Night” the last line to Fester’s first verse can vary wildly from production to production.
- On the original Broadway cast album, it ends ” Were you folks right for the mezzanine? “.
- The script lists that version, as well as the alternate line “Was rehab right for Charlie Sheen?” Local productions usually replace this line with a pop-culture reference to whatever’s current at the moment, provided it keeps the “een” rhyme scheme going – some adaptations break the “een” rhyme scheme to take pot-shots at an acceptable target – one adaption on Youtube has “was Donald Trump right for the Presidency?” Invisible to Normals : The chorus of ancestral Addams ghosts can only be seen by the family.
This leads to some amusing situations; for example, near the end Wednesday catches a bouquet thrown to her by the deceased bride ancestor, much to Lucas’ confusion. note Laughing at Your Own Jokes : Gomez, when he first meets the Beinekes. Gomez: I go too far.
In the first act, Morticia expects Wednesday to follow in her footsteps by having “lots of boys” before settling down and getting married. In the second act, Gomez reminds Mortica that she hid her engagement from her mother the same way that Wednesday hid her engagement from Morticia.
List Song : “Pulled” becomes this towards the end. “Puppy dogs with droopy faces, Unicorns with dancing mice, Sunrise in wide open spaces, Disney World, I’ll go there twice!.” Mortality Grey Area : Alluded to as Gomez says that he will invite every family member to his reunion: living, dead (via necromancy) and “undecided”.
The Musical : Starring Max Bialystock and Lilith Sternin as Gomez and Morticia. Musical Exposition : “When You’re an Addams” introduces the family and its members to the audience. Musicalis Interruptus : Gomez has previously sung that there are “Two Things” and “Three Things” he would never do (lie to his wife, lie to his daughter, or tell the truth to either one.) Right when he’s about to add “Four Things”, Morticia stops him.
Mythology Gag : The Chicago tryouts contained a scene where the Addams recreate the TV show’s famous intro, complete with the original theme song (snapping included). While the scene was cut out of subsequent productions, the theme song was kept for the overture.
Not So Similar : In “One Normal Night”, while Wednesday and Lucas both want their respective parents to leave a good impression on each other, the details of their requests couldn’t be more different. Lucas: Just be respectable, don’t make an odd remark Wednesday: Keep undetectable our passion for the dark O.O.C.
Is Serious Business :
Alice Beineke’s solo, “Waiting”. Morticia’s response to overhearing Wednesday’s words in “Pulled”. “Puppy dogs? Disney World? She’s in no state to entertain guests.”
One Normal Night : One of the best-known songs from this play is the Trope Namer, In it, Wednesday and Lucas beg to their respective parents for. well, guess. Opening Chorus : “When You’re an Addams”, which features every non-Beineke cast member. Open Secret : The musical is officially based on the old New Yorker comic strip, but it blatantly draws inspiration from later adaptations, such as making Fester and Gomez brothers and having Wednesday be a young woman rather than a little girl.
Parental Love Song : “Happy Sad” by Gomez to Wednesday. Potty Failure : Grandma wets herself during the dinner, but rather than being embarrassed about it, she just announces it to the whole table. Punny Name : The Beineke parents, Mal and Alice, together are Malice. Retcon : In The Musical, Wednesday is a young woman while Pugsley is barely in his teens.
Additionally, Wednesday gets her looks from her dad. In the TV show Wednesday was the younger child and looked like Morticia. Related in the Adaptation :
The different incarnations of the franchise have varied on whether Grandmama is Gomez’s mother or Morticia’s. The musical lampshades the issue by having both of them unsure whose mother she is, with the implication that she isn’t related to either of them and is just mooching off them. Morticia: When your mother moved in, it was supposed to be for two weeks. The weeks turn into months. It’s been 12 years now and she’s still up there! Unwanted, mocked, tolerated! Smoking weed in the attic. Well, I’m not going to end up like your mother! Gomez: My mother? I thought she was your mother! Beat No, seriously. Fester was originally Morticia’s uncle in the comic strip and the original TV series. The musical takes a cue from the 90’s movies by making him Gomez’s brother (despite not sharing Gomez’s Spanish mannerisms).
Rite of Passage : “Clandango,” the original opening from the Chicago preview version, involves a family ritual centered around Wednesday’s 18th birthday. Set Switch Song : A few of Fester’s songs are sung in front of the curtain, allowing the set to be changed for the next scene.
She Is All Grown Up : While now 18-year-old Wednesday still wears a variation of her usual dress, the story centers around the family reacting to her becoming independent when they meet her fiancé and his family. The Singing Mute : Lurch sticks with his canon dialect of only grunting until the final number, when he sings his first ever words.
Speaking Like Totally Teen : Lucas tries to do it to look cool to Pugsley. It obviously fails. Lucas: Yo, it’s tha Pugsta! Whaddup, lil’ man? Pugsley: Are you trying to be cool? Stepford Smiler : Alice Beineke keeps all her desires and frustrations bottled up and maintains a happy suburban housewife facade.
- She finally snaps with her showstopper number “Waiting” when she drinks Grandmama’s potion.
- Stereo Fibbing : Gomez, Wednesday, and Lucas all give different answers when Morticia asks what they’re talking about, because they don’t want to tell her that Wednesday and Lucas are engaged.
- Suddenly Speaking : After uttering only incomprehensible moans and grunts for the entire show, Lurch sings perfectly clearly in the finale, “Move Toward the Darkness”.
Summon Backup Dancers : The Ancestors serve as this. Alice: What’s that one? Morticia: The dance routine. Tempting Fate : “It’s just a simple dinner. What could go wrong?” Truth-Telling Session : The Act I finale, “Full Disclosure,” is one of these gone horribly wrong.
- Unspoken Plan Guarantee : In the tour version, Wednesday explicitly states that her plan to get the two families’ blessing is that there is no plan.
- Well, This Is Not That Trope : When Mal asks about The Game.
- Gomez: Did you ever play Charades? Mal: Yeah.
- Gomez: Well, it’s nothing like that.
- Where Did We Go Wrong? : Gomez and Morticia sing a song with this very title over Wednesday suddenly becoming normal.
White Sheep : Wednesday believes she’s losing some of her dark impulses after falling in love with a normal boy, much to her family’s dismay. William Telling : Wednesday does this to Lucas, as a test of his love for her. He ups the ante by removing his improvised tie-blindfold and blindfolding her instead.
Fortunately, she doesn’t.
Are the Addams Italian or Spanish?
Are The Addams Family Confirmed to Be Hispanic? – United Artists Releasing Yes, they are! It was first brought up in “Art and the Addams Family,” aired on December 18th, 1964. Gomez is depicted in this episode as someone of Castilian extraction and Spanish ancestry. Though it is not mentioned again elsewhere, this little moment provides a basis for the Addams family being seen as Hispanic in the modern day.
What makes Morticia Addams special?
Morticia Addams: A witch icon worthy of all the praise Morticia Addams is a bad witch in the best way. She’s the brainchild of, whose talent for creating ghoulish and darkly humorous characters led to the infamous Addams Family single-panel comics in The New Yorker during the late 1930s.
Actress Carolyn Jones expertly brought the slim, pale, and black-clad family matriarch to life in 1964’s television show which detailed the aristocratic odd family’s constant culture differences with their neighbors. The series only lasted for two seasons, but later gained a cult following with re-runs as well as two ’90s movies with Anjelica Huston giving a brilliant take on Morticia, complete with raised eyebrows and red lips.
Most TV moms during the show’s original run had a June Cleaver type of vibe as exemplary homemakers with immaculate kitchens, scheduled meals, and rather bland personalities. Or they were supernatural beings who desperately tried to assimilate to our world, like, but Morticia bucked societal norms in several ways.
She oozed sexiness with a signature style featuring a form-fitting black dress, long black tresses, and a decidedly pale face — a look that inspired millions of future goth girls. She wasn’t afraid to be overtly sexual with her husband Gomez by enticing him with “the look,” relishing in his peppered kisses on her arms, donning new lingerie, or whispering sweet nothings in French.
It was a stark contrast to the squeaky-clean portrayal of ’60s TV marriage that didn’t even allow most couples to sleep in the same bed, much less show sexual advances from a wife. This passion carried over into the movies with Morticia instructing her hubby to let her do the torturing and complimented him on, ahem, a job well done the previous night.
- Yesssss. Her marriage is absolutely #RelationshipGoals for anyone who wants a healthy long-term relationship because it challenges the stereotype that years of love and kids automatically leads to passive misery.
- Her guy is passionately in love with her, views her as his equal, supports her endeavors, respects her thoughts sans mansplaining, and frequently compliments her brains and beauty.
Oh, and let’s not forget that he’s filthy rich. It’s a bold, refreshing portrayal of a marriage that was certainly revolutionary then and isn’t explored as often as it should be on TV today. Morticia is the voice of reason and the queen of zen, even when things get a little chaotic in her home.
- Her ability to find beauty in thunderstorms (literal and metaphorical) and other things normally perceived to be dark while exhibiting a relentless optimism about life is admirable and inspirational.
- She’s valuable and interesting outside of her mom and wife roles and has imperfect moments that root her in reality.
Typical “ladylike” activities like knitting, picking fresh flowers, and cooking are never mundane with Morticia as she makes items out of odd materials, conjures up strange concoctions, and arranges thorny stems in vases. And what other witch is an expert at cultivating carnivorous plants, playing the shamisen, emitting smoke from her body, challenging local politicians, taming beasts, fencing, painting, and being effortlessly cool while chilling at home 99% of the time? Morticia is truly the GOAT of all activities.
Her excellence is also exhibited via her unconventional yet supportive and smart parenting style. Yeah, she allows Wednesday and Pugsley to raise poisonous spiders and play with guillotines, but she also listens to them, values their feelings, and encourages their autonomy. She will quickly jump into action in their best interests, whether it involves hiring a psychologist or advocating for changes at their school.
When Pugsley joined the Boy Scouts — which was their equivalent of him joining a wayward gang — she was concerned but she gave him the space to explore things on his own terms. He was her “unconventional” child who sometimes wanted to be like everyone else and Morticia didn’t try to force him fit perfectly into their family dynamic.
She was generally patient, kind, and respectful towards her children and encouraged them to stay true to themselves even when it goes against the grain. Morticia Addams expertly balances family and her unconventional personal interests alongside a rosy general outlook on life. She has a partner who adores her and works with her in a partnership to solve problems and rear their children with a loving hand.
And she’s no doubt a witch icon, from her fashion sense to her occasional penchant for potions and “smoking.” We absolutely stan this creepy, kooky, and incredibly dope character who is dearer to us than all the bats in all the caves in the world. : Morticia Addams: A witch icon worthy of all the praise
Why does Gomez kiss Morticia?
Kid reviews for The Addams Family (Live Action TV Series) December 2, 2021 I’ve really enjoyed this show. It’s interesting and the darker humor is similar to mine. I have made many school projects on this show. Morticia and Gomez are the most loving couple in existence.
- Whenever Morticia speaks French (Or does something that Gomez thinks is sexy) Gomez will kiss her arm (Sometimes back and neck) but most of the time Morticia stops him.
- In the second episode Morticia and Gomez are in their room in pyjamas but nothing happens other than Gomez kissing Morticia’s arms.
- Gomez is often smoking a cigar.
Other than that there are some darker scenes like bombs used and guns. This title has: 1 person found this helpful. : Kid reviews for The Addams Family (Live Action TV Series)
Why do they light Morticia Addams eyes?
In Addams Family Values (1993), Morticia Addams is always lit by one beam of light across her eyes fading outward. This technique, used originally in classic noir films, accentuates Morticia’s style by parodying original implementation of this technique and is used ironically (the film is a comedy).