- 1 What country was Who Were We Running From
- 2 What were we running from ending
- 3 Is Who Were We Running from real
- 4 Who is the villain in Who Were We Running From
- 5 What gender was Bambi
- 6 Did Bambi’s dad love him
- 7 Does you have only 5 episodes
- 8 How long will it take to watch all of you
- 9 How old was Fraser in We Are Who We Are
- 10 Will there be a We Are Who We Are Season 2
What country was Who Were We Running From
The Turkish thriller series follows mother and daughter fugitives escaping an unknown threat. An unnamed, stone-faced woman dressed all in black travels from hotel to hotel with her wide-eyed and devoted teen daughter, Bambi. The pair stay at the best rooms in luxury hotels across Turkey, often for weeks at a time.
What were we running from ending
Do Bambi and her mother escape? – Fast forward to the final episode, and Bambi and her mother seem to have escaped to a “paradise hotel.” All is not well though, as Bambi is abused by the resident doctor while alone in the hotel while her mother is out. 2023 © Netflix // Netflix
Meanwhile, the police are getting closer to finding the two, so Bambi’s mother tells her to run and never look back.Bambi’s mum is then shot dead, leaving the young teenager alone in the world with nowhere to go.The final moments show Bambi escaping with the money the pair stole, leaving many viewers with their heads in hands about what the future holds for the young fugitive.
So. Many. Questions. Here’s hoping Netflix give the green light so we can actually find out what happens to Bambi. : Netflix’s Who Were We Running From ending explained
Who Were We Running From Bambi?
Bambi is a character in the series Who Were We Running From?. She is portrayed by Eylül Tumbar.
How many episodes is Who Are We Running from?
WHO WERE WE RUNNING FROM? on Netflix is a new thriller series from Turkey (org. title: Biz Kimden Kaçiyorduk Anne?). A mystery crime story with 7 episodes and a plot that intrigues from the beginning.
Is Who Were We Running from real
Netflix Paranoia and fear can make some people behave erratically. To believe that one is in constant danger makes forming long-lasting relationships with strangers tricky, and it also places a certain level of suspicion on all those around. Netflix’s latest book-to-television adaptation of “Who Were We Running From” is a Turkish movie that follows a character known only as Mother (Melisa Sozen) and her daughter, Bambi (Eylul Tumbar).
Checking out the trailer, one sees that Mother and Bambi engage in a lifestyle where they are constantly on the move, and Mother tries everything in her power to make sure Bambi is protected from some unnamed force. Based on the book by Turkish author Perihan Magden, “Who Were We Running From” is not crafted specifically from a real story.
It is instead inspired by a real-life event in Magden’s life that saw her publicly ridiculed for her support of a conscientious objector. “Every half a year there is something,” Magden said to The Power of Culture, “and now it became part of my life.
Where did they film we are who we are?
We Are Who We Are is a drama television mini-series directed by Luca Guadagnino, written by Luca Guadagnino, Sean Conway, Paolo Giordano, and Francesca Manieri. Starring Jack Dylan Grazer, Jordan Kristine Seamón, Chloë Sevigny, Spence Moore II, Kid Cudi, Faith Alabi, Francesca Scorsese, Benjamin L.
- Taylor II, and Corey Knight, the series follows the story of two American 14-year-olds who live on an American military base in Italy.
- It premiered at the San Sebastián International Film Festival on September 20, 2020, and was released on September 14, 2020 on HBO and Sky Atlantic.
- We Are Who We Are was shot in Venice, Veneto, Italy.
Filming locations included Chioggia and Bagnoli di Sopra. Chioggia, Italy. Photo by Riccardo Chiarini on Unsplash.
Why did Diane do what she did in Run?
Netflix’s ‘Run’ Double-Twist Ending, As Explained By Sarah Paulson Herself Another day, another Netflix psychological thriller sending us right to Google. Apr 07, 2021 7:43am Another day, another wonderfully creepy psychological thriller to deep dive into.
- Run is the latest film to start sparking the nightmare glands in brains everywhere.
- Starring ‘s legendary Sarah Paulson, the film explores the relationship between mother and daughter pair Diane and Chloe.
- Of course, as is the nature of, the ending isn’t straightforward.
- Here, all your questions about the Run ending explained and answered.
The tagline of the Run provides a pretty clear-cut indicator of what to expect in the film: “you can’t escape a mother’s love.” The story begins with Diane, played by Paulson and Chloe, played by relative newcomer Kiera Allen. The film opens with Diane giving birth prematurely to a daughter, who we learn through title cards is stricken with a number of serious medical conditions.
- Cut to 17 years later and we meet Chloe, Diane’s now-teenage daughter, who uses a wheelchair and takes a collection of medication.
- Slowly, she becomes suspicious about her mother’s behaviour—which includes stopping her collecting the mail as she waits for university acceptance letters—and the medications she’s on.
After a series of fraught attempts at getting help, she finally manages to uncover that one of the medications she is on is actually a relaxant for dogs and can lead to a human’s legs going numb. Diane finds her and promptly sedates Chloe, who wakes locked in her room at home.
As the protagonist of a psychological horror film is wont to do, Chloe escapes. only to be recaptured by Diane. During her second confinement, she finds her college acceptance letters, photos of herself walking as a child and medical files that indicate Diane’s real daughter died after her birth. Chloe is actually a child Diane stole from another couple, kept isolated and, as is now very clear, has been purposely making sick her entire life.
Chloe confronts Diane about her Munchausen syndrome by proxy, who insists everything she did was to help Chloe—before she moves to drug her again to make her forget what happened. Chloe, realising her mother is utterly bonkers, fears that Diane might kill her, but also can’t bear to live without her.
She drinks poison, forcing Diane to take her to the hospital. After a showdown at the hospital with medical staff and police, Diane is incapacitated and falls down a set of stairs. Cut to seven years later and we see Chloe entering a correctional facility, slowly regaining the use of her legs. She tells the person she’s visiting she has a rich life, with a husband, children and a job.
It’s revealed to be a bedridden Diane, now the immobile one of the pair. The big reveal and final twist in Run lands when Chloe opens her mouth to reveal the same green pills meant for dogs her mother was drugging her with. “I love you mom, now open wide,” she says to Diane, revealing that now Chloe is now the one inflicting the treatment she recieved.
Paulson explained Diane’s motivations to Collider, saying: “Diane was a victim of terrible abuse and neglect by her own mother and I think in a somewhat twisted, but initially valiant and probably somewhat pure effort to do the very thing that was never done for her, which was to give the utmost care and attention to her child.
“She just took it to a place where something else took over and it may have accelerated. And certainly her needing to live in some kind of seclusion and all the secrecy, that is connected to having taken a child that was not hers biologically. But what she did to Chloe, I think she would have done if the child had been hers.” Meanwhile, Allen offered an explanation for Chloe’s dark turn to Decider: “She’s keeping her sick, she’s keeping her as non-threatening.
undefined: Monisha Rudhran
: Netflix’s ‘Run’ Double-Twist Ending, As Explained By Sarah Paulson Herself
Who is the villain in Who Were We Running From
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Mother is the main antagonist of the 2023 Turkish Netflix series Who Were We Running From? She is a nameless fugitive who wants money to survive, and she brutally murders her victims. She is portrayed by Melisa Sözen in her first villainous role.
Who was the killer in how they Run?
SEE HOW THEY RUN NOTE: This spoiler was submitted by Jeremy London West End, 1953 – Hotshot American director Leo Kopernick (Adrien Brody) narrates the introduction. A play based on Agatha Christie’s “The Mousetrap” is continuing a historic run, celebrating 100 performances and featuring renowned actor Richard Attenborough (Harris Dickinson) and his wife Sheila Sim (Pearl Chanda) in major roles.
- Opernick has shown up in the hopes of convincing the show’s producer John Woolf (Reece Shearsmith), to allow him to direct the film adaptation.
- Opernick butts heads with Attenborough and the play’s writer, Mervyn Cocker-Norris (David Oyelowo), going as far as getting into a fight with Attenborough and crashing into a cake.
Kopernick goes to the bathroom to wash himself off. He sees a suspicious shadowy figure by the window, but it is just a mannequin. Then an actual man whacks Kopernick across the face with a ski. The assailant attempts to strangle Kopernick, but he breaks himself free and tries to run, only to open a door and find a brick wall behind it.
- The assailant then grabs a sewing machine and bludgeons Kopernick in the head, killing him.
- Constable Stalker (Saoirse Ronan) awaits the arrival of Inspector Stoppard (Sam Rockwell) as they gather everyone in the theater as suspects, including the theater owner Petula Spencer (Ruth Wilson) and Woolf’s wife Edana Romney (Sian Clifford).
Stalker is a rookie with hopes of acing her sergeant exam and tries to make a good impression on Stoppard. They find Kopernick’s body left on the couch onstage. The two inspect the crime scene and try to find motives and suspects. Most of the people in the room took issue with Kopernick, and Stoppard informs them all that there may be another killing among them, so he opts for the theater to be closed until the murder is solved.
Commissioner Harrold Scott (Tim Key) berates Stoppard for drawing negative attention to the murder and the department after closing the theater. He orders Stoppard to take Stalker on the case to “show her the ropes” of the job. Stoppard and Stalker go to the hotel where Kopernick was staying and speak to a bellhop who overheard him arguing with Mervyn, with the latter outright saying he will kill Kopernick.
The two visit Mervyn and try to understand his background with Kopernick. Flashbacks show that he disagreed with Mervyn’s vision for the play and pitched his own action-packed ending for “The Mousetrap” film adaptation, involving the lead detective’s partner being killed by the killer after taking a bullet for him.
- Mervyn mentions seeing a “plain woman” arriving at the hotel with Kopernick’s illegitimate son.
- Mervyn is also shown living with his nephew Gio (Jacob Fortune-Lloyd), who is described as hotheaded.
- At Shepperton Studios, it is shown that Woolf is engaged in an affair with his assistant, Ann Saville (Pippa Bennett-Warner), which he barely attempts to hide as he tries to kiss her out in public.
The duo stop in an alley as Stoppard claims he is going for a dentist appointment. Stalker spots him walking into a pub and appears disappointed with him. They then visit Woolf, who mentions how Kopernick approached him in a nightclub and became aware of his affair with Ann, and Woolf appeared worried that Kopernick might expose him.
- After they leave, Stoppard mentions walking into the pub, but Stalker simply tells him he can trust her with anything he needs to tell her.
- The two go home, where Stalker lives with her two children, and Stoppard lives with his alcohol.
- The following day, Scott encounters the duo and says he is desperate for good news.
They say they may have a reliable lead. The pair interview a theater usher named Dennis (Charlie Cooper), who claims to have seen a figure acting suspiciously, but it doesn’t provide them with much of a lead. They then go to visit Attenborough and Sheila.
She tells the duo that Kopernick offered her the lead role in the “Mousetrap” film. Stoppard and Stalker then go to visit Petula, who is watching her mother (Ania Marson) perform onstage by herself. Petula tells the two that she signed over the film rights of “Mousetrap” to Woolf, who was nearly caught in his affair by Edana.
She adds that Woolf would be unable to produce the film adaptation until the show completes its production, meaning he’s stuck there. Stoppard and Stalker go to a pub, where they talk about their personal lives. Stalker mentions her kids and how she lost her husband in the war, and Stoppard mentions how he was injured in the war and divorced his wife after she was unfaithful to him and had a child with another man.
- Stalker drives a drunken Stoppard home and comes across some news articles and a picture of Stoppard with his ex-wife, who fits Mervyn’s description of a “homely woman with glasses”.
- Stalker starts to become suspicious and begins to ask around as to the name of Stoppard’s ex-wife in connection with a book of names they found in Kopernick’s hotel room.
The duo go to a performance of “The Mousetrap” since Attenborough gave them tickets. During the scene where one character is being murdered, Stalker steps out and follows who she thinks is Stoppard. A figure comes across Mervyn and strangles him to death.
- Stalker chases after the figure but fails to catch him.
- Meanwhile, the figure whacks Stoppard over the head and knocks him out.
- He appears in a sort of limbo state where he finds Kopernick behind a bar, asking if anybody was sad about his demise.
- Stoppard doesn’t respond, which doesn’t surprise Kopernick.
Stoppard approaches a door guarded by Dennis, who won’t let him through without a ticket. He peeks through the door and sees what appears to be Mervyn being stuffed by a taxidermist. Stoppard awakens in a prison cell with Stalker and Scott. They accuse him of murder and say they have found his ex-wife Joyce, supposedly the same woman that Mervyn had seen.
- Stalker believes Stoppard killed Kopernick because his wife had cheated on him with Kopernick.
- A woman named Joyce (Laura Morgan) shows up, but Stoppard says that is not HIS Joyce, so he is let go.
- Stalker escorts Joyce home and asks her questions about when she went to see Kopernick with their son.
- Joyce mentions hearing a voice with an accent like a village idiot.
Meanwhile, Stoppard suspects Gio, since Mervyn had mentioned him to be a taxidermist, and he believes he had a motive to kill both Mervyn and Kopernick. Stoppard ends up finding news articles on two young brothers, one of whom died. Stoppard and Stalker individually head out to find the killer.
- Petula arrives at the home of Agatha Christie (Shirley Henderson) along with her mother, Attenborough, Sheila, Woolf, and Ann.
- The stuffy butler Fellowes (Paul Chahidi) attempts to deny them entry despite an invitation, but another guest, Max Mallowan (Lucian Msamati), allows them in.
- They were supposedly invited for a dinner, but they find that Agatha is supposedly tied up by the killer.Dennis.
Petula’s mother recognizes him as Dennis Corrigan, whose younger brother died when they were children due to neglect. He wanted to stop the play from continuing because he thought it was an exploitation of his tragedy, so he killed Kopernick to stop the film from being made and Mervyn for writing it.
Dennis kicks the rug where “Agatha” is tied up, but it is actually Edana, who reveals she already knew about her husband’s affair. Just as Stoppard and Stalker get closer to the house, Agatha emerges with cups of tea, one of which is meant to drug Dennis while Fellowes attempts to grab his rifle. It backfires, Fellowes faints from the drugged tea, and Dennis aims the gun at everyone.
Stoppard shows up and has his tires shot out. He runs into the house and faces Dennis, but before Dennis fires, Stalker runs in and pushes Stoppard out of the way (like in Kopernick’s ending). She gets a nick, but Stoppard is shot. He shoots Dennis twice before Agatha kills him with a shovel to the head.
- Stoppard is taken to the hospital.
- In the epilogue, Kopernick narrates that Stalker aced her sergeant exam, Stoppard was awarded a medal for his heroics, and Scott was given a knighthood.
- Stoppard and Stalker return to watch “The Mousetrap”.
- As Stoppard addresses the audience, Stalker asks him to be quiet because she missed the ending last time.
Kopernick says that this was a real Leo Kopernick ending.
*CUT TO THE CHASE* Brought to you by
In 1953 London, a performance of “The Mousetrap,” based off of Agatha Christie’s story, is marred by the murder of American filmmaker Leo Kopernick. Inspector Stoppard and Constable Stalker get on the case as they interview those who knew (and did not like) Kopernick, including playwright Mervyn Cocker-Norris and acclaimed actor Richard Attenborough.
- Stalker begins to suspect Stoppard when she learns that his ex-wife had a child with another man, and Kopernick had an illegitimate child with a woman matching a description of Stoppard’s ex-wife and a woman seen at Kopernick’s hotel.
- Mervyn is later killed during a performance of the show, and Stoppard is arrested after he is knocked out by the real killer.
After he is proven innocent, he and Stalker find new clues that lead them to find out that the real killer is Dennis Corrigan, an usher at the theater showing “The Mousetrap.” The play is based on a tragedy involving his younger brother, who died as a child, and he was angry at the play for exploiting it, so he killed Kopernick to stop him from making a film adaptation.
He tricks several people involved in the show into coming to the home of Agatha Christie in an attempt to kill them all, but Stoppard and Stalker arrive in time to stop Dennis, who is shot by Stoppard and bludgeoned with a shovel by Agatha, killing him. In the end, Stalker aces her sergeant exam, and Stoppard is given a medal for his heroics.
The two also become closer as partners and friends. : SEE HOW THEY RUN
What gender was Bambi
|Species||Roe deer (novels) White-tailed deer (films)|
|Family||The Great Prince of the Forest (father) Unnamed mother (deceased)|
Was Bambi a male?
Disney made it VERY clear that Bambi was a boy. At the end of the movie they showed Bambi as having antlers, something only male whitetail deer have.
Did Bambi’s dad love him
Bambi II – The midquel goes in-depth into the time period that Bambi spent with his father as a fawn. Though the Great Prince is somewhat reluctant to take on a father role, he takes Bambi to his den after the death of Bambi’s mother. He asks Friend Owl to find a doe to be a foster mother to Bambi, but Friend Owl will not be able to find one until springtime, as the harsh winter is making food hard to find.
At one point during the winter, the Great Prince allows Bambi to go with his friends to see the groundhog, who is supposed to foretell the end of winter. Bambi falls asleep afterward but awakens to hear his mother call him. When the calls turn out to be one of Man’s tricks, the Great Prince rescues Bambi, but chastises him for falling for the trick, especially for freezing instead of running to safety.
The Great Prince then notes that winter will end soon, and then Bambi will be able to have a new mother. Later on, the Great Prince witnesses Bambi make a jump over a large chasm, which impresses him. The Great Prince and Bambi begin to bond after Bambi asks the Great Prince about his duties.
- One day, when the Great Prince and Bambi are playing, Friend Owl finally brings a doe, Mena, to become Bambi’s mother.
- When Bambi learns about the arrangement, he calls his father out on it.
- The Great Prince tries to explain his reasons, but Bambi was too hurt to listen and runs off after he goes as far as to say that he wish his mother was there instead of his father.
The Great Prince is shown to regret his decision to pass on his parenting duties but resolves to do so. Sometime later, the Great Prince arrives to see that Bambi has driven off some of Man’s dogs who had been attacking Mena. As the Great Prince goes to Bambi, the cliff that Bambi is on collapses.
The Great Prince finds Bambi at the bottom, seemingly dead, and begins to cry. However, Bambi soon awakens, much to the joy of the Great Prince. At the end of the film, the Great Prince takes a now teenage Bambi on a walk through the forest, showing the fawn a glade where the Great Prince and Bambi’s mother first met.
The Prince then reveals that he himself was much like Bambi as a fawn, to the joy of his son.
What are we running from Netflix explained?
What happened in Who Were We Running From? –
- The show follows Bambi and her unnamed mom, who live as fugitives due to the mother’s past, which is slowly revealed throughout the series.
- The pair move from hotel to hotel and adopt a suspicious attitude to anyone and everyone they encounter and never allow hotel staff in their room.
- They often catch the attention of the other guests, as the mother always wears black and dresses the now-teenage Bambi like a young girl.
- It is eventually made clear that they are fleeing from the mom’s aristocratic family, who did not approve of her having Bambi with a car mechanic who worked for them.
- Their aim is to get rid of Bambi while her mother tries to protect her at all costs.
- To this end, the mother commits a series of brutal murders, including the attempted murder of her own parents.
- In the final episode, they escape to the “paradise hotel”, were Bambi is abused by the resident doctor while her mother is out.
- Bambi’s mom then takes revenge on the doctor, but the begin to take notice and pursue them, especially after the hotel manager is murdered as well.
- Bambi and her mother relocate to a island, but are discovered by Bambi’s grandfather.
- In a protective rage, the mother attempts to kill the grandfather, before Bambi burst in and stabs him to death.
- As the police close in, the mother tells Bambi to flee and never look back, before being shot dead.
- Bambi escapes with the the two of them have stolen during the final episode, leaving her future a mystery.
Does you have only 5 episodes
You season 4 consists of 10 episodes. Part 1 (episodes 1-5) are already streaming as of February 9, while part 2 (episodes 6-10) begins streaming on March 9.
How long will it take to watch all of you
This Is How Long It Will Take To Binge 20 Of Netflix’s Most-Watched Series It will take 15 hours and 29 minutes to binge the first two seasons (20 episodes) of Netflix’s hit, series ‘You.’ Photo Courtesy of Netflix. Entertainment lovers are admittedly obsessed with binge-watching television series and because of this decided to do a little research into just how long it would take TV fans to devour every episode of 20 of Netflix’s most-binged shows.
There are those shows that everyone is talking about and, of course, you want to watch but you have to consider how much time it will take to get caught up. On average, it takes five days to binge-watch a series on Netflix. However, statistics show that 8.4 million current users try to finish a series within the first 24 hours.
According to, Netflix had over 163.5 million subscribers worldwide as of October 2019 and the streamer knows what its users like. To better cater to its subscribers, Netflix set up 1,300 recommendation clusters based on viewing preferences and the 20 shows listed below stand out as overall fan favorites.
- Stranger Things – As the most-binged Netflix show, fans will need to plan for 21 hours and 49 minutes to watch all three seasons (25 episodes).
- 13 Reasons Why – One day, 12 hours and 51 minutes is how much time you’ll need to get through all three seasons (39 episodes).
- Orange Is the New Black – This show will take up a lot of your time at over 90 hours (three days, 18 hours and 21 minutes) to binge seven seasons and 91 episodes.
Lucifer – This show takes the second-longest amount of time to get through. To watch all four seasons (67 episodes), you’ll need to set aside two days, one hour and 57 minutes.
- You – To get through two seasons (20 episodes) you’ll need 15 hours and 29 minutes.
- Chilling Adventures of Sabrina – This series requires 19 hours and nine minutes from your schedule for two seasons (20 episodes).
- The Ranch – Set aside one day, 11 hours and 54 minutes to get through all seven seasons (70 episodes).
- Marvel’s Jessica Jones – For all three seasons and 39 episodes, you’ll need one day, nine hours and seven minutes.
- Marvel’s the Punisher – It will take 22 hours and 51 minutes to binge two seasons and 26 episodes.
- The Umbrella Academy – To watch the first season’s 10 episodes you’ll need nine hours and seven minutes.
- The Santa Clarita Diet – To get through three seasons, 30 episodes, it will take you 14 hours and 19 minutes.
- Big Mouth – Three seasons and 31 episodes will take you 14 hours and 19 minutes.
- Queer Eye – Two seasons and 27 episodes will take you 20 hours and 48 minutes.
- Mindhunter – There are two seasons and 27 episodes to get through, which will take 16 hours and 59 minutes.
- Designated Survivor – The three seasons and 53 episodes of this fan-favorite will take a total of one day, 15 hours and 53 minutes to binge.
Grace and Frankie – This delightful comedy consists of six seasons and 78 episodes so far, which will take you one day, 14 hours and 5 minutes to watch. There will only be unfortunately. Dead to Me -, which is just around the corner! To get caught up on the first season, which consisted of 10 episodes, you’ll need four hours and 53 minutes.
- Atypical – There are three seasons, 28 episodes of this show, which will take 14 hours and 36 minutes to binge.
- One Day at a Time – You’ll need 18 hours and five minutes of watch-time to binge through three seasons and 39 episodes.
- What will be your next Netflix binge?
: This Is How Long It Will Take To Binge 20 Of Netflix’s Most-Watched Series
How much of Run is true?
Warning: There are major spoilers ahead for Hulu’s Run, Hulu’s newest horror-thriller is one of the streamer’s scariest original offerings yet. Newcomer Kiera Allen — in her feature debut — stars as a young woman whose caring and seemingly perfect mother is hiding a dark and potentially fatal secret.
While the narrative of a disabled child being abused by their overbearing mother is a rather familiar one, Run isn’t directly based on a single story, Despite that, the engaging flick definitely reflects a trend of tales of both real and fictional carer abuse, and more specifically ” Factitious Disorder Imposed on Another,” formerly known as Munchausen by proxy.
It also offers a progressive twist with an actual wheelchair user in the main role who’s always centered as the story’s hero rather than a victim. Advertisement ADVERTISEMENT The movie, directed by Aneesh Chaganty, centers around a wheelchair using teen, Chloe (Allen), and her mother, Diane (Sarah Paulson).
Ensconced in their cozy, accessible home, the pair seem to be happy as they wait for Chloe’s college acceptance letters. But the reality of their relationship is far more sinister and is at the heart of Run’s horrifying mystery. As we find out in a late stage twist, Chloe was actually abducted from the hospital and her disability was caused by her own mother, who it’s heavily implied has FDIA syndrome that leads to her abuse of Chloe.
According to the National Library of Medicine National Institutes of Health, “Factitious Disorder Imposed on Another (FDIA), also known as Munchausen Syndrome by Proxy (MSbP) is a very serious form of child abuse. The perpetrator, usually the mother, invents symptoms or causes real ones in order to make her child appear sick.
- Usually this is due to a maladaptive disorder or to an excessive of attention-seeking on her part.” Though it’s not directly cited as an influence on Run, it’s hard not to think of the real life story of Gypsy Rose Blanchard and her abusive mother Dee Dee, whom she killed when she was 24.
- Their story was first highlighted by Michelle Dean at Buzzfeed whose article was later brought to life in the Emmy-winning Hulu series The Act,
Dee Dee was seen as an incredible, caring mother who sacrificed everything for her disabled daughter, who struggled with many illnesses. But the reality of their relationship was far more tragic and cruel. Gypsy Rose was essentially tortured by Dee Dee, forced to undergo multiple invasive treatments and surgeries based only on the word of her mother.
- Though she was only diagnosed after her death, it was clear to experts that Dee Dee had likely suffered from FDIA, leading to her abuse of her daughter.
- Advertisement ADVERTISEMENT Before The Act, these stories were mostly confined to Lifetime-style ripped from the headlines adaptations, resulting in rather exploitative and often scandalous representation of the real life stories of the people harmed by their carers.
The big thing that seperates Run is that it’s far more interested in Chloe and her story than the woman who abused her and why she did it. It’s a choice that upends the way we usually see disability and also highlights another far more common form of abuse that many disabled people in America suffer from.
Though Run isn’t based on any one true story, it’s definitely a thriller that reflects the horrors of abuse against disabled people and the real life experiences of victims of carer abuse, as well as FDIA. Aside from the more horrific realities that the movie represents, there’s a different more hopeful kind of truth to Run as well.
Unbelievably, it’s the first major thriller to be led by a wheelchair user in 70 years, so Allen’s truth and lived experiences have likely shaped the way that the story was told. It’s wild that we’ve never seen a disabled action hero (played by a disabled actor) even though we know disabled people can be just as athletic, strong, badass, and reluctantly heroic as our non-disabled counterparts.
Why are they on the Run in Who Were We Running From?
REVIEW: ‘Who Were We Running From’ – Too many questions, not enough answers. The Turkish TV show “Who Were We Running From” recently aired on Netflix. The show follows a mother and daughter duo constantly on the run as they jump from luxury hotel to luxury hotel. Andrew Burke-Stevenson | Graphic Artist The show’s premise is interesting, as you are immediately submerged in a fascinatingly disturbing mystery from the first episode. The characters are distinctive: the mother, a stern and determined woman always wearing black, and the daughter, a young woman who dresses and acts like a child — even called “Bambi” after the children’s book.
- They are on the run from the mother’s past and the string of murders she leaves behind at every hotel she visits.
- From the first episode, you are left wondering: what is happening? While the audience is initially encouraged to unravel the mystery, as the duo continues their journey, the big plot holes and unrealistic scenarios make finding an answer an impossible quest.
For starters, the question of who they are running from is never clearly answered. The series does delve into the mother’s background story and her abusive parents — possibly to hint that the parents are chasing our protagonists — but there is never a concrete answer.
Instead, we reach the finale and learn that no one was technically chasing them at all. The mother’s father, previously thought murdered by the mother, makes a small appearance at the end, where he tries to take Bambi. But he never admits to following them. Honestly, his appearance in and of itself is a bit of a question.
In episode three, we learn that the mother caused a car crash that was supposed to kill both their parents, as they disapproved of the mother’s pregnancy. We realize this through the mother’s memories, but we never learn what actually happened in that car crash, how the father survived or what exactly his plan is.
The constant flow of money is also a question. The storyline introduces the mother as a wealthy character who stays in luxurious hotels for months on end. The audience is given some clues as to the origin of the wealth, as her memories suggest that her family was extremely affluent. But the show never explains how and why she still has money.
Her parents, who were never supportive of her and were borderline abusive, never said anything about a will. Also, the mother has never worked. There is constant spending of money, but no evidence of a source. We also need to talk about the unrealism of the series.
From the first episode, the mother clarifies that they need to live under the radar, but neither their actions nor their looks serve that purpose. The mother is a diva. In the first episode, for instance, she verbally abuses a server when she is displeased with their small table — an event that eventually ends in her killing the manager (a very normal thing to do).
Want to stay unnoticed? Maybe don’t kill anyone that bothers you. Then, we have to talk about the daughter. She is a grown woman dressed as a literal child. From colorful dresses to ponytails, rainbow-colored bags and dolls, she looks and behaves like a child.
And people notice as guests are understandably intrigued by this adult’s childish behavior. Not only are people intrigued by the daughter’s attire and behavior, but also by her beauty. Guests are hypnotized by her good looks and question how she could be the plain mother’s daughter. But one is left to wonder — why is this information important in the storyline? How does it add to the narrative? After the second episode, the series just becomes repetitive.
They keep on escaping, keep on taking magically appearing money out of banks and keep on killing people, all the while leaving the audience baffled by what exactly is the end goal. The plot holes also make it difficult to connect with the characters and form a definite opinion about them because we never know if they are the victims or the villains.
How old was Fraser in We Are Who We Are
In 2016, American teenager Fraser (Jack Dylan Grazer) moves with his mother Sarah (Chloë Sevigny), a colonel, and her spouse Sonia (Alice Braga), a major, to an Italian coastal military base where he meets a gaggle of hedonistic young things. After some hostility, Fraser forms a particular bond with gender-questioning Caitlin/Harper (Jordan Kristine Seamón).
Episodes viewed: 4 of 8 There are a lot of penises on display in episode one of Luca Guadagnino ‘s We Are Who We Are, Not quite as many as there were in, say, the infamous 30-penis episode of rival HBO teen drama Euphoria, but plenty nonetheless. Unlike Euphoria, the willy-waving in this, the first TV project from the director of the similarly exquisite Call Me By Your Name, doesn’t seem designed to shock.
Instead, the casual frontal nudity is just one expression of the show’s languid, laidback tone. The observer of all these penises in the series opener is bratty 14-year-old American Fraser ( Jack Dylan Grazer ), an outsider drawn to a cosmopolitan group of young people in the idyllic Italian town where he and his family have just relocated. He watches on from the sidelines as these less self-conscious kids frolic in the sea.
- Later, he somehow stumbles into the soldiers’ shower area, where he makes eye contact with naked young Major Kritchevsky (Tom Mercier), who doesn’t seem at all fazed by the teenager’s attentions.
- When we see Fraser in his home environment, with his two military mothers, he’s emotionally incontinent, spiky and even outright violent.
The relationship between Fraser and Chloë Sevigny ‘s Sarah, in particular, is startlingly fiery, and intriguingly difficult to pin down. As _Call Me By Your Name_ showed, few do youthful longing as beautifully as Guadagnino. Guadagnino directs all this in a thrillingly freewheeling style.
- His camera glides silkily from one setting to another, eavesdropping on conversations and dalliances and domestic squabbles.
- If there are long stretches where nothing much happens, it all feels part of the relaxed design, playing with the freedom of a long-form, eight-hour TV series to immersive effect.
Episode 2, for example, boldly tells the same story as the opener, but from the point of view of Caitlin (Jordan Kristine Seamón), who’s the same age as Fraser, and identifies an ambiguity in him which helps her deal with her own gender uncertainty. The standout fourth episode is an hour-long hangout in which the characters have a party, get drunk and pair off.
- There are echoes of Larry Clark’s Kids, without its leery gaze and nihilism, and it’s surely no accident that, 25 years on, Guadagnino has cast that film’s standout star Sevigny, but now she’s playing a parent and colonel, in theory the ultimate authority figure.
- But again, the filmmaker subverts expectations; Sarah is not above flirting with her handsome army assistant Kritchevsky in front of her own son Fraser, who is clearly enamoured with the young major.
As Call Me By Your Name showed, few do youthful longing as beautifully as Guadagnino. As a whole, the series is a celebration of these young people, their openness and idealism, with none of the amorality of Kids or Euphoria, Yet it’s never bland. Guadagnino encouraged his cast to work on their character arcs with him, and it shows.
Their performances are astonishingly natural. It may be too languid for some, but if you can take inspiration from the director and his characters, you’ll free your mind, and just let it all hang out. Luca Guadagnino’s beautifully made debut TV drama is everything you might expect from the director of Call Me By Your Name, but if anything, it digs even deeper.
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What is the show about military kids in Italy?
Premise – We Are Who We Are focuses on two American teenagers who live on a fictional U.S. military base in in 2016. The series explores friendship, first love and identity, and immerses the audience in all the messy exhilaration and anguish of being a teenager — a story which could happen anywhere in the world, but in this case, happens in this little slice of America in Italy.
Will there be a We Are Who We Are Season 2
2/16/2021by TVSeriesFinale.com TVSeriesFinale.com